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Cultural Representations of Gender Vulnerability and Resistance
This Open Access book considers the cultural representation of gender violence, vulnerability and resistance with a focus on the transnational dimension of our contemporary visual and literary cultures in English. Contributors address concepts such as vulnerability, resilience, precarity and resistance in the Anglophone world through an analysis of memoirs, films, TV series, and crime and literary fiction across India, Ireland, Canada, Australia, the US, and the UK. Chapters explore literary and media displays of precarious conditions to examine whether these are exacerbated when intersecting with gender and ethnic identities, thus resulting in structural forms of vulnerability that generate...
Women Make Horror
Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, cri...
Imagining "We" in the Age of "I"
Winner, MeCCSA Edited Collection of the Year, MeCCSA Outstanding Achievement Awards 2022 In the early twenty-first century shifts in gender and sexuality, work and mobility patterns and especially technology have provoked interest in perceived threats to social bonding on a global scale. This edited collection explores the fracturing of couple culture but also its persistence. Looking at a variety of media sites—including film, television, popular print fiction, new media and new technologies—this volume’s diverse range of contributors examine how mediated scenes of intimacy proliferate, while real-life experiences are cast in a newly uncertain light. The collection thus challenges a latent but growing tendency towards perceptions of romantic decline, in a variety of cultural contexts and with attention to the impact of COVID-19. This is an accessible and timely collection suitable for scholars in gender studies, media, cultural studies and communication studies.
Australian Gothic
The book reads the Gothic characteristics of Australian cinema within their national, cultural context. The book relates the key motifs and concerns of Gothic literature to the styles, narratives and significance of Australian films. The book places examples of Australian Gothic film within the Australian filmmaking and film criticism, and relates these to the wider trends of international horror film.
Book of the Banned
BLASPHEMY AND HORROR! SAUCY SWEDES! LUKE SKYWALKER'S CHARRED AUNT & UNCLE! Australia has censored it all. Did you know Aussie audiences were originally banned from watching bona fide classics The Night of the Hunter, Breathless and The Texas Chain Saw Massacre (to name just a few out of literal hundreds), or that Australians initially saw a watered-down version of Star Wars in cinemas? Book of the Banned is a rigorous, rollicking, riotous and righteously-furious jaunt through film history that reveals the shocking stories behind Australia's classification system and how your favourite movies have been snipped down under, featuring interviews with Margaret Pomeranz, David Stratton, a bunch of...
ReFocus: The Films of Mary Harron
Mary Harron's diverse career includes cult films like I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, as well as a range of network and cable television episodes. This is the first book to examine an overlooked filmmaker in relation to feminist cinema. It discusses the dialectical dynamics within her wide-ranging body of work, and it argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations. Each chapter provides an in-depth study on Harron's creative approaches to film and television production, with chapters offering close readings of each of her 5 narrative features, and her work in television and promotional film. With scholarly approaches from the fields of cinema, television, gender, fashion, death and celebrity studies, this is a long-awaited introduction to a groundbreaking figure in contemporary cinema.
The Oxford Handbook of New Science Fiction Cinemas
Essays in The Oxford Handbook of New Science Fiction Cinemas address the impact of new theoretical approaches and recent cultural attitudes on a changing science fiction cinema. Essay topics include (but are not limited to) Afrofuturism, biopunk science fiction, feminist science fiction, heterotopic spaces, steampunk cinema, ethno-Gothic films, superhero cinema, queer theory, and posthumanism.
Provocation in Women's Filmmaking
A new critical perspective on the female auteur that considers her place in the avant-garde tradition of provocation
Violent Women in Contemporary Cinema
Violent women in cinema pose an exciting challenge to spectators, overturning ideas of 'typical' feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity.
Screening Scarlett Johansson
Screening Scarlett Johansson: Gender, Genre, Stardom provides an account of Johansson’s persona, work and stardom, extending from her breakout roles in independent cinema, to contemporary blockbusters, to her self-parodying work in science-fiction. Screening Scarlett Johansson is more than an account of Johansson’s career; it positions Johansson as a point of reference for interrogating how femininity, sexuality, identity and genre play out through a contemporary woman star and the textual manipulations of her image. The chapters in this collection cast a critical eye over the characters Johansson has portrayed, the personas she has inhabited, and how the two intersect and influence one another. They draw out the multitude of meanings generated through and inherent to her performances, specifically looking at processes of transformation, metamorphosis and self-deconstruction depicted in her work.
