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The Oxford Handbook of Screendance Studies
  • Language: en
  • Pages: 817

The Oxford Handbook of Screendance Studies

The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the...

Janis Jeffries
  • Language: en

Janis Jeffries

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

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Drapery
  • Language: en
  • Pages: 300

Drapery

Gen Doy investigates the hitherto neglected meanings of drapery and the draped body in visual culture. The baroque and the classical are her subjects, as are Freud's "Gravida", Clerambault's writings and photographs of draped figures, the fetishistic play between veiling and revealing and the meanings of drapery in recent art, from Christo's wrapped Reichstag to the impact of the modern women's movement on fine art practice. Yet she also finds and focuses on the draped body now in places like Algeria and Kosovo where drapery's connotations are no longer those of purity and civilized elegance but of barbarism, poverty, and savage death.

Tactics of Interfacing
  • Language: en
  • Pages: 332

Tactics of Interfacing

  • Categories: Art
  • Type: Book
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  • Published: 2020-08-11
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  • Publisher: MIT Press

How digital technologies affect the way we conceive of the self and its relation to the world, considered through the lens of media art practices. In Tactics of Interfacing, Ksenia Fedorova explores how digital technologies affect the way we conceive of the self and its relation to the world. With the advent of ubiquitous computing, the self becomes an object of technological application, increasingly defined by data received from tracking technologies. Subtly, these technologies encourage versions of ourselves that are easier to interpret computationally. Fedorova views these shifts in self-perception through the lens of contemporary media art practices, examining a range of artistic tactics that enable embodied and intimate experiences of machinic operations on our lives.

The Jew Assumptions of Identity
  • Language: en
  • Pages: 248

The Jew Assumptions of Identity

  • Type: Book
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  • Published: 1999-11
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  • Publisher: Continuum

A collection of essays, some published previously, discussing the fictitious concept of "essential Jewishness" as it was perceived in Britain, by Jews and non-Jews alike, in the 19th-20th centuries. Partial contents:

The Bioart Kitchen
  • Language: en
  • Pages: 678

The Bioart Kitchen

  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

None

New Art Examiner
  • Language: en
  • Pages: 738

New Art Examiner

  • Categories: Art
  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

The independent voice of the visual arts.

Only Human
  • Language: en
  • Pages: 76

Only Human

  • Categories: Art
  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

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Hot House
  • Language: en
  • Pages: 100

Hot House

  • Categories: Art
  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

Published in conjunction with the exhibition of the same title presented at Cranbrook Art Museum June 17 through October 14, 2007.

The Insurance Year Book
  • Language: en
  • Pages: 988

The Insurance Year Book

  • Type: Book
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  • Published: 1898
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  • Publisher: Unknown

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