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The World is Born From Zero is an investigation into the relationship between video games and science fiction through the philosophy of speculation. Cameron Kunzelman argues that the video game medium is centered on the evaluation and production of possible futures by following video game studies, media philosophy, and science fiction studies to their furthest reaches. Claiming that the best way to understand games is through rigorous formal analysis of their aesthetic strategies and the cultural context those strategies emerge from, Kunzelman investigates a diverse array of games like The Last of Us, VA-11 Hall-A, and Civilization VI in order to explore what science fiction video games can tell us about their genres, their ways of speculating, and how the medium of the video game does (or does not) direct us down experiential pathways that are both oppressive and liberatory. Taking a multidisciplinary look at these games, The World is Born From Zero offers a unique theorization of science fiction games that provides both science fiction studies and video game studies with new tools for thinking how this medium and mode inform each other.
Having returned to his home on the island after helping to solve a forty-year-old mystery in the Bay Area and ready to return to his present peaceful life, Dag Peyton meets a very wise local man and inadvertently stumbles headlong into yet another mystery that leads him and his friends into a reality they never dreamed they would experience.
Once dismissed as a fading genre with little to say to contemporary audiences, the giant monster movie roared back to life in the new millennium. In one of modern cinema's most surprising turnarounds, a wave of 21st-century kaiju films has delivered exciting and thought-provoking viewing to global audiences. In a variety of works that range from action-packed CGI spectacles to more personal, introspective productions commenting on real-world issues of the day, the new millennium has witnessed some of the most intriguing films in any genre, including movies from such acclaimed directors such as Guillermo del Toro, Bong Joon-ho and Peter Jackson. This book takes a sober, multidimensional look at the new class of giant monster movies. It examines the making of these films and their sometimes-obscure meanings. It also covers efforts to reinvent storied kaiju characters from the past, including Godzilla and King Kong, and to transform the genre with movies such as Cloverfield, The Mist, Colossal, and Pacific Rim that feature all-new creatures.
A woman with no name, a reckoning with the past, a present fraught with danger. In the most remote spot of the hills surrounding Loch Tay, a woman's remains were found. She had lay there a while, but any evidence of who she was had long gone or never existed. Crime podcaster Cal Lovett seeks to put 'Hillside Jane' to rest, but is he merely running from his own troubles? With the wife of his sister's alleged killer missing and a sense that any chance he had of getting justice for Margot is slipping from his grasp, Cal is at a crossroads. Perhaps peace for Hillside Jane will soothe his own fears. But events in the village don't bring the results anyone expected. Is Cal so stuck in the past tha...
"In this new resource, professor and preacher-turned-DJ Ralph Watkins explores sociological, theological, and biblical perspectives in addressing the questions facing the church about the hip hop generation."--BOOK JACKET.
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