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George Gissing and the Place of Realism
This collection explores Gissing’s place in the narrative of fin-de-siècle literature. Together, chapters here theorise how late-Victorian spatial and generic norms are confronted, explored and performed in Gissing’s works. In addition to presenting new readings of the major novels and introducing readers to lesser-known works, the collection advocates Gissing’s importance as a journalist, short story, and travel writer. It also recognises Gissing as a central proponent in the late-Victorian realism debate. The book, like today’s nineteenth-century studies, is interdisciplinary. It includes familiar interpretive approaches—biographical, historicist, and comparative—together with fresh perspectives informed by ecocriticism, materiality, and cultural performance. In addition, it is markedly comparative in scope. Gissing is read alongside familiar authors like Dickens, Ruskin, and Hardy, but also, and more unusually, Nietzsche, Besant, Freud and Foucault. Collectively, these chapters illustrate that Gissing, though attentive to contemporary issues, is neither uncomplicatedly realist nor are his writings uncomplicated historical records of place.
The Hawk Is Dead
'What a fool I've been not to have read Peter James until The Hawk Is Dead! A great story' – JAMES PATTERSON 'A majestic treat!' – THE TIMES Roy Grace never dreamed a murder investigation would take him deep into Buckingham Palace . . . Her Majesty, Queen Camilla, is aboard the Royal Train heading to a charity event in Sussex when disaster strikes – the train is derailed. A tragic accident or a planned attack? When, minutes later, a trusted aide is shot dead by a sniper, the police have their answer. Despite all the evidence, Roy Grace is not convinced The Queen was the intended target. But he finds himself alone in his suspicions. Fighting against the scepticism of his colleagues and ...
The Narrative Turn in Urban Planning
Narratives, in the context of urban planning, matter profoundly. Planning theory and practice have taken an increasing interest in the role and power of narrative, and yet there is no comprehensive study of how narrative, and concepts from narrative and literary theory more broadly, can enrich planning and policy. The Narrative Turn in Urban Planning addresses this gap by defining key concepts such as story, narrative, and plot against a planning backdrop, and by drawing up a functional typology of different planning narratives. In two extended case studies from the planning of the Helsinki waterfront, it applies the narrative concepts and theories to a broad range of texts and practices, considering ways toward a more conscious and contextualized future urban planning. Questioning what is meant when we speak of narratives in urban planning, and what typologies we can draw up, it presents a threefold taxonomy of narratives within a planning framework. This book will serve as an important reference text for upper-level students and researchers interested in urban planning.
English Journal
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Witch Hunt
Small-town librarian Ophelia Jensen is finally starting to embrace her lot as one of the "chosen"—a psychic and folk magick practitioner, a.k.a. a witch. Expert loving guidance from her magickally adept grandmother Abby helps—and adopting Tink, an exceptionally talented teenage medium, has given Ophelia's life new purpose . . . until a brutal murder clouds the sunshine of their days. Ophelia's co-worker and best friend, Darci, is distraught when her cousin is implicated in the small Iowa town of Summerset's most recent murder—the violent death of a biker. Unfortunately for Darci's cousin, it's her fingerprints all over the murder weapon. She claims she's innocent, but it'll take Ophelia and Abby more than a good incantation or two to get to the bottom of this crime—what with ghosts, crooked cops, secret identities, and a small army of outlaw bikers thrown into this devil's brew.
The London Gazette
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Poore Relations
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