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The Old English Case System
The Old English Case System. Case and Argument Structure Constructions by Kirsten Middeke is a Construction Grammar account of Old English argument structure that integrates modern cognitive corpus linguistics and traditional philological work. This is the first major study on Old English morphosyntax from a constructional perspective, based on findings from various strands of theoretical linguistics, including generative approaches, constructionist accounts, quantitative linguistics, and many more. It argues for a new take on historical comparative syntax, a field which has been dormant for quite a while but might see a new boost through the ideas presented here.
A Changing World of Words
From the contents: Maurizio GOTTI: The origin of 17th century canting terms. - Anne MCDERMOTT: Early dictionaries of English and historical corpora: in search of hard words. - Paivi KOIVISTO-ALANKO: Prototypes in semantic change: a diachronic perspective on abstract nouns. - Manuela ROMANO POZO: A morphodynamic interpretation of synonymy and polysemy in Old English."
New Perspectives on English Historical Linguistics: Lexis and transmission
This is the second of two volumes of papers selected from those given at the 12th International Conference on English Historical Linguistics. The first is New Perspectives on English Historical Linguistics (1): Syntax and Morphology. Together the volumes provide an overview of many of the issues that are currently engaging practitioners in the field. In this volume, the primary concern is with the historical study of the English lexicon and its sound and writing systems. Using research tools such as machine-readable text and lexical corpora, and intellectual tools such as corpus and cognitive linguistics, many of the papers move from a close study of a set of data to conclusions of theoretical significance, often concerning questions of classification and organisation. More broadly, whether concerned with lexicology or transmission, the papers have a social orientation, since neither lexicology nor phonology can be seen as divorced from its social setting.
Middle English Verbs of Emotion and Impersonal Constructions
With a careful use of dictionary materials and modern linguistic approaches, this book investigates why some Middle English verbs of emotion are attested in impersonal constructions while others are not, even though they look almost synonymous. A range of factors are identified that affected their behaviour.
New Perspectives on English Historical Linguistics
This is the second of two volumes of papers selected from those given at the 12th International Conference on English Historical Linguistics. The first is New Perspectives on English Historical Linguistics (1): Syntax and Morphology. Together the volumes provide an overview of many of the issues that are currently engaging practitioners in the field. In this volume, the primary concern is with the historical study of the English lexicon and its sound and writing systems. Using research tools such as machine-readable text and lexical corpora, and intellectual tools such as corpus and cognitive linguistics, many of the papers move from a close study of a set of data to conclusions of theoretical significance, often concerning questions of classification and organisation. More broadly, whether concerned with lexicology or transmission, the papers have a social orientation, since neither lexicology nor phonology can be seen as divorced from its social setting.
THE HISTORICAL LINGUISTICS-COGNITIVE
The works included under this volume highlight the diachronic potential of such an approach. And they do it diversely. Some of the contributions are panchronic in nature, that is, they try the analysis of some English linguistic construtions by providing us with a complete picture of their historical evolution.
Who Understands Comics?
**Nominated for the 2021 Eisner Award for Best Academic/Scholarly Work** Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, this book argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics?
Manuscripta
Issues for Feb. 1957-July 1959 include a Checklist of the Vatican manuscript codices available for consultation at the Knights of Columbus Vatican Film Library at St. Louis University, pts. 1-8.
Naked Wordes in Englissh
This book contains a selection of papers presented at the Third Medieval English Studies Symposium held in Poznań, Poland in November 2004. The papers cover a wide range of topics in the areas of Old and Middle English language and literature: from Old and Middle English semantics and word geography to Old and Middle English literature.
