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Robert Louis Stevenson
In recent years there has been a wave of enthusiasm for the author of these works, with the publication of major biographies and collections of his letters.
The Critic
Experience a monthly review of literature, art and life through the pages of The Critic, a magazine edited by siblings Jeannette Leonard Gilder and Joseph Benson Gilder. This illustrated magazine will keep you in the loop of current events in the literary and artistic world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
No Votes for Women
No Votes for Women explores the complicated history of the suffrage movement in New York State by delving into the stories of women who opposed the expansion of voting rights to women. Susan Goodier finds that conservative women who fought against suffrage encouraged women to retain their distinctive feminine identities as protectors of their homes and families, a role they felt was threatened by the imposition of masculine political responsibilities. She details the victories and defeats on both sides of the movement from its start in the 1890s to its end in the 1930s, acknowledging the powerful activism of this often overlooked and misunderstood political force in the history of women's equality.
Bible as Poetry
Original manuscript of Whitman's essay which was first published in The Critic in 1883. Included with the manuscript are two portraits of Whitman, a copy of the published essay and Whitman's cover letter to the publishers Jeannette Leonard Gilder and Joseph B. Gilder.
The Selected Papers of Elizabeth Cady Stanton and Susan B. Anthony
The “hush” of the title comes suddenly, when first Elizabeth Cady Stanton dies on October 26, 1902, and three years later Susan B. Anthony dies on March 13, 1906. It is sudden because Stanton, despite near blindness and immobility, wrote so intently right to the end that editors had supplies of her articles on hand to publish several months after her death. It is sudden because Anthony, at the age of eighty-five, set off for one more transcontinental trip, telling a friend on the Pacific Coast, “it will be just as well if I come to the end on the cars, or anywhere, as to be at home.” Volume VI of this extraordinary series of selected papers is inescapably about endings, death, and si...
The Spectator
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