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Treasure Neverland
Treasure Neverland is about factual and fictional pirates. Swashbuckling eighteenth-century pirates were the ideal pirates of all time and tales of their exploits are still popular today. Most people have heard of Blackbeard and Captain Kidd even though they lived about three hundred years ago, but most have also heard of other pirates, such as Long John Silver and Captain Hook, even though these pirates never lived at all, except in literature. The differences between these two types of pirates - real and imaginary - are not quite as stark as we might think as the real, historical pirates are themselves somewhat legendary, somewhat fictional, belonging on the page and the stage rather than ...
Silent Film's Last Hurrah
This is a history and critical appreciation of an unusually fertile period for the production of great or near-great silent films: late 1927 through early 1929, in the midst of the tumult and upheaval of Hollywood's transition from silent to sound. The book offers in-depth looks at several of the best of these films and discusses the gifted artists such as Charlie Chaplin, Mary Pickford, and Lillian Gish who helped bring them to life, even as the art they had taken to remarkable heights was about to be obliterated. It depicts some of the silent medium's most talented filmmakers and their efforts--in the face of inescapable technological change--to give their dying art a rousing last hurrah.
The Movies as a World Force
Throughout the silent-feature era, American artists and intellectuals routinely described cinema as a force of global communion, a universal language promoting mutual understanding and harmonious coexistence amongst disparate groups of people. In the early 1920s, film-industry leaders began to espouse this utopian view, in order to claim for motion pictures an essentially uplifting social function. The Movies as a World Force examines the body of writing in which this understanding of cinema emerged and explores how it shaped particular silent films and their marketing campaigns. The utopian and universalist view of cinema, the book shows, represents a synthesis of New Age spirituality and the new liberalism. It provided a framework for the first official, written histories of American cinema and persisted as an advertising trope, even after the transition to sound made movies reliant on specific national languages.
City Lights
In 1967, Charlie Chaplin told, 'I think I like 'City Lights' the best of all my films.' Based on archival research of Chaplin's production records, this work offers a history of the film's production and reception, as well as an examination of the film itself, with special attention to the sources of the final scene's emotional power.
Wolf Man's Maker
German-born Curt Siodmak is perhaps best known for his cult classic sci-fi and horror movies, such as The Wolf Man and Son of Dracula. This outstanding writer, one of the founding members of the Writers Guild of America, has also written 26 novels, in English and his native language. Among these, Donovan's Brain was hailed by Stephen King as a unique work that surpassed even the originality of Isaac Asimov and Arthur C. Clarke. Not only was it filmed four times, but Orson Welles adapted it into a radio presentation. A gifted writer, screenwriter, and director, Siodmak recently received the Commander's Cross of Merit of the Federal Republic of Germany. In his autobiography, he recalls being forced to emigrate to the United States in the 1930s as the Nazis took power in Germany. As a Jewish immigrant, Siodmak's experience of adjusting to his new home amid the turmoil of World War II powerfully affected his perception of freedom and of human dynamics. Wolf Man's Maker describes how this writer, through the genres of sci-fi and horror, created stories which reflected this historical perspective and his search for a truth which affects all of his viewers.
The Kitchen Family
James Kitchen (ca.1749-1832) was born in Isle of Wight County, Virginia, possibly the son of James Kitchen and Martha Mathews. He served in the Revolutionary War, and married Jane Patterson in 1780 at Fort Savannah, Greenbrier County, Virginia (later West Virginia). In 1799 they moved to Russell County, Virginia, and about 1817 to Greenup (later Lawrence, now Carter) County, Kentucky. Descendants and relatives lived in Virginia, West Virginia, Kentucky, Ohio, Michigan, Maryland and elsewhere.
