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Originally published in 1996, this collection of fascinating essays by leading western and Russian specialists gives an overview of key issues in Russian women's writing and of important representations of women by men, between 1600 and the present. This volume contributes to the contemporary feminist project of rediscovering many hitherto unjustly neglected Russian women writers and sheds further light on the literary construction of women's identity by Russian men. It combines a study of the history and biography of women writers with close readings of literary texts, and explores certain controversial issues in Russian women's literary studies such as whether there is a separate women's literary tradition in Russia, whether the treatment of the woman question by Russian male writers reflected women's interests and experience, and whether a feminist reinterpretation of Russian women's literature is possible or even desirable.
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The story of Don Juan first appeared in writing in seventeenth-century Spain, reaching Russia about a century later. Its real impact, however, was delayed until Russia’s most famous poet, Alexander Pushkin, put his own, unique, and uniquely inspirational, spin on the tale. Published in 1830, TheStone Guest is now recognized, with other Pushkin masterpieces, as part of the Russian literary canon. Alexander Burry traces the influence of Pushkin’s brilliant innovations to the legend, which he shows have proven repeatedly fruitful through successive ages of Russian literature, from the Realist to the Silver Age, Soviet, and contemporary periods. Burry shows that, rather than creating a simple retelling of an originally religious tale about a sinful, consummate seducer, Pushkin offered open-ended scenes, re-envisioned and complicated characters, and new motifs that became recursive and productive parts of Russian literature, in ways that even Pushkin himself could never have predicted.
This is the first book to offer a comprehensive survey of the phenomenon of the absurd in a full literary context (that is to say, primarily in fiction, as well as in theatre).
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A quarterly journal devoted to Russia and East Europe.
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