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Examines the struggle between factions debating the morality and impact on public behaviour of the theatre following the Glorious Revolution, and the political significance of public feeling around this controversy.In 1698 the Jacobite clergyman Jeremy Collier published his famous pamphlet in which he attacked a number of prominent playwrights on the grounds that their work contained profanity, blasphemy and indecency, and therefore was undermining public morality. He called for the closure of the stage, and in so doing sparked vigorous public debates that lasted for three decades. This book investigates the relationship between this Stage Controversy and the period of political instability ...
This study re-interprets English history and national identity in the century after the civil war.
Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.
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