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Reading Public Romanticism
Reading Public Romanticism is a significant new example of the linking of esthetics and historical criticism. Here Paul Magnuson locates Romantic poetry within a public discourse that combines politics and esthetics, nationalism and domesticity, sexuality and morality, law and legitimacy. Building on his well-regarded previous work, Magnuson practices a methodology of close historical reading by identifying precise versions of poems, reading their rhetoric of allusion and quotation in the contexts of their original publication, and describing their public genres, such as the letter. He studies the author's public signature or motto, the forms and significance of address used in poems, and th...
Byron
Often seen as the exception to generalisations about Romanticism, Byron's poetry - and its intricate relationship with a brilliant, scandalous life - has remained a source of controversy throughout the twentieth century. This book brings together recent work on Byron by leading British and American scholars and critics, guiding undergraduate students and sixth-form pupils through the different ways in which new literary theory has enriched readings of Byron's work, and showing how his poetry offers a rewarding focus for questions about the relationship between historical contexts and literary form in the Romantic period. Diverse and fresh perspectives on canonical texts such as Don Juan, Chi...
Classical Hollywood, American Modernism
Classical Hollywood, American Modernism charts the entwined trajectories of the Hollywood studio system and literary modernism in the United States. By examining the various ways Hollywood's industry practices inflected the imaginations of authors, filmmakers, and studios, Jordan Brower offers a new understanding of twentieth-century American and ultimately world media culture. Synthesizing archival research with innovative theoretical approaches, this book tells the story of the studio system's genesis, international dominance, decline, and continued symbolic relevance during the American postwar era through the literature it influenced. It examines the American film industry's business practices and social conditions, demonstrating how concepts like anticipated adaptation, corporate authorship, systemic development, and global distribution inflected the form of some of the greatest works of prose fiction and nonfiction by modernist writers, such as Anita Loos, F. Scott Fitzgerald, William Faulkner, Patsy Ruth Miller, Nathanael West, Parker Tyler, Malcolm Lowry, and James Baldwin.
Postmodern Literary Theory
Literature today is a very different concept from that of only a generation ago, and this difference is attributed usually to 'postmodernism'. Most radical of all is the possibility that the very notion of literature is rendered untenable by postmodernism. How did this possibility arise? Who are the key figures responsible for its emergence; which are the key texts of its expression? This Anthology provides ways of responding to such questions.
Romantic Poetry
This anthology fills the need for a comprehensive, up-to-date collection of the most important contemporary writings on the English romantic poets. During the 1980s, many theoretical innovations in literary study swept academic criticism. Many of these approaches--from deconstructive, new historicist, and feminist perspectives--used romantic texts as primary examples and altered radically the ways in which we read. Other major changes have occurred in textual studies, dramatically transforming the works of these poets. The world of English romantic poetry has certainly changed, and Romantic Poetry keeps pace with those changes. Karl Kroeber and Gene W. Ruoff have organized the book by poet--Blake, Wordsworth, Coleridge, Byron, Shelly, and Keats--and have included essays representative of key critical approaches to each poet's work. In addition to their excellent general introduction, the editors have provided brief, helpful forewords to each essay, showing how it reflects current approaches to its subject. The book also has an extensive bibliography sure to serve as an important research aid. Students on all levels will find this book invaluable.
Auteurs and Authorship
Auteurs and Authorship: A Film Reader offers students an introductory and comprehensive view of perhaps the most central concept in film studies. This unique anthology addresses the aesthetic and historical debates surrounding auteurship while providing author criticism and analysis in practice. Examines a number of mainstream and established directors, including John Ford, Alfred Hitchcock, Howard Hawks, Douglas Sirk, Frank Capra, Kathryn Bigelow, and Spike Lee Features historically important, foundational texts as well as contemporary pieces Includes numerous student features, such as a general editor's introduction, short prefaces to each of the sections, bibliography, alternative tables of contents, and boxed features Each essay deliberately focuses across film makers’ oeuvres, rather than on one specific film, to enable lecturers to have flexibility in constructing their syllabi
Media Authorship
Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures-from visual arts to videogames, from textiles to television-contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: What constitutes "media" and "authorship" in a technologically converged, globally ...
The Working Press of the Nation
V.1 Newspaper directory.--v.2 Magazine directory.--v.3 TV and radio directory.--v.4 Feature writer and photographer directory.--v.5 Internal publications directory.
