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Religious Orders and Religious Identity Formation, ca. 1420-1620
This volume deals with the transformative force of Observant reforms during the long fifteenth century, and with the massive literary output by Observant religious, a token of a profound pastoral professionalization that provided religious and lay people alike with encompassing models of religious perfection, as well as with new tools to shape their religious identity. The essays in this work contend that these models and tools had an ongoing effect far into the sixteenth century (on all sides of the emerging confessional divide). At the same time, the controversies surrounding Observant reforms resulted in new sensibilities with regard to religious practices and religious nomenclature, which would fuel many of the early sixteenth-century controversies. Contributors are Michele Camaioni, Anna Campbell, Fabrizio Conti, Anna Dlabačová, Sylvie Duval, Koen Goudriaan, Emily Michelson, Alison More, Bert Roest, Anne Thayer, Johanneke Uphoff, Alessandro Vanoli, Ludovic Viallet, and Martina Wehrli-Johns.
Leonardo’s Paradox
Leonardo da Vinci (1452–1519) was one of the preeminent figures of the Italian Renaissance. He was also one of the most paradoxical. He spent an incredible amount of time writing notebooks, perhaps even more time than he ever held a brush, yet at the same time Leonardo was Renaissance culture’s most fanatical critic of the word. When Leonardo criticized writing he criticized it as an expert on words; when he was painting, writing remained in the back of his brilliant mind. In this book, Joost Keizer argues that the comparison between word and image fueled Leonardo’s thought. The paradoxes at the heart of Leonardo’s ideas and practice also defined some of Renaissance culture’s central assumptions about culture and nature: that there is a look to script, that painting offered a path out of culture and back to nature, that the meaning of images emerged in comparison with words, and that the difference between image-making and writing also amounted to a difference in the experience of time.
Making Marvels
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
The Aura of the Word in the Early Age of Print (1450?600)
Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the ...
Pieter Bruegel the Elder and Religion
Pieter Bruegel the Elder and Religion offers new insight into the religious dimension of Bruegel’s art. With a number of highly original and thorough case studies, the volume illuminates Bruegel’s inventive and multifaceted engagement with the contemporary religious concepts and practices of his day and age. Religion remains a vital question in the life and career of Bruegel, because it was so long believed to be more or less absent from his work. As a pioneer of the new genres of landscape and peasant scenes, Bruegel was heralded as a ground-breaking “secular” painter. This volume highlights the most recent scholarship on the artist, offering a much more nuanced portrait of Bruegel’s engagement with the dynamic religious landscape of the mid-sixteenth century. Contributors are: Jessica Buskirk, Ralph Dekoninck, Bertram Kaschek, Walter S. Melion, Jürgen Müller, Anna Pawlak, Gerd Schwerhoff, Larry Silver, and Michel Weemans.
Wild Carnivores of New Mexico
Winner of the 2024 New Mexico-Arizona Book Award for Reference In this first-ever landmark study of New Mexico’s wild carnivores, Jean-Luc E. Cartron and Jennifer K. Frey have assembled a team of leading southwestern biologists to explore the animals and the major issues that shape their continued presence in the state and region. The book includes discussions on habitat, evolving or altered ecosystems, and new discoveries about animal behavior and range, and it also provides details on the distribution, habitat associations, life history, population status, management, and conservation needs of individual carnivore species in New Mexico. Like Cartron’s award-winning Raptors of New Mexic...
Driving Myself Crazy
Adventure writer Jessica Maxwell loves a challenge and decided to tackle golf the way she had tackled skiing and fly-fishing, two demanding sports she took up in her early thirties after a life as a confirmed "non-jockette." Surely golf couldn't be that much more difficult?could it? In this irreverent memoir we have a front-row seat as Jessica struggles to learn golf's etiquette, traditions, and complex rules—from her first comical attempts to coax practice balls out of a golf ball machine, to just hitting the damn ball, to acquiring her own set of Nancy Lopez clubs! Among her coaches are Peter Croker, a revolutionary Australian teaching pro, Cindy Swift Jones, his partner and putting guru, and Al Mundle, the Harvey Penick of the Northwest, as well as seventy-eight-year-old American women's golf legend Peggy Kirk Bell and the queen of golf herself, Nancy Lopez. A willful celebration of what one golf coach called "the atrocious first year," Driving Myself Crazy is an often hilarious, always inspiring tale of one woman's obsession with proving to herself that golf—played right—is a beautiful game ... at least for that moment.
Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe
The articles within this volume explore some of the diverse medieval constructions and representations of the soul.
The Annual Report
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