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These selected studies on sixteenth and eighteenth centuries European collections of scientific instruments, which were part of the princely ‘wunderkammern’, delineate an up-to-date-panorama about the formation of the most important museums of the history of science.
Since 1981, the Scientific Instrument Commission has provided a forum for annual international discussion of topics close to the hearts of those caring for and researching historic scientific instruments. During these years, increasing professionalisation of curatorship and deepened engagement by historians have led to important changes in these roles. This volume is a cornucopia illustrating how instrument studies have changed and flourished over the past forty years. Four chapters review the work of the Scientific Instrument Commission by decade. The remaining chapters consider the historiography of instrument studies, the cataloguing of collections, historic instruments in exhibitions and...
To celebrate the first ten years of the international forum Collecting and Display, as well as the launch of a dedicated series of publications “Collecting Histories”, in 2014, a conference dedicated to new directions in terms of collecting, display, visitor experience and the use of modern media in today’s museums was held at museums of the city of Memmingen in Bavaria. Speakers looked into whether and how the engagement with the history of collections, in their diverse permutations, has influenced and modified modern museology. This volume looks forward towards a future which oftentimes looks bleak due to funding cuts, lack of appreciation of cultural history and a sometimes dubious ...
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
"This overview of 500 years of fascination with the moon presents highlights from an accompanying exhibition at the Museum of Fine Arts, Houston. Imaginary and artistic visions are juxtaposed with scientific instruments and illustrations from throughout the centuries, providing insights regarding how the interaction between art and science has informed perceptions of the moon"--Provided by publisher.
Maria Rentetzi surveys the experimental practices of radioactivity research in early-twentieth-century Vienna, focusing on radioactive materials, instruments, women's work in physics, and gendered skills. She shows how experimental cultures in radioactivity-scientific practices employed by gendered subjects who shared a certain material and epistemic style of research--were constructed and reshaped by socialist politics in Vienna at that time. She also explores the different ways experimental practices affected men and women in laboratory sciences. Rentetzi expands the notion of material culture to include not only instruments and objects but also materials that operated as both commodities ...