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Victorian Ghost Story
The Victorian Ghost Story: An Edinburgh Companion invites readers to interrogate the multi-layered, multi-vocal conversations that occur within the Victorian ghost story. Its twenty-four chapters provide a historical overview of the development of the ghost story and explore it in light of the 'new' contexts of the period, including mechanisation, imperialism and changes to the economy. As a much-needed survey of critical work on the ghost story, it features detailed analysis of major Victorian writers such as Charles Dickens, Margaret Oliphant, Charlotte Riddell and Henry James, and it examines the places haunted by Victorian ghosts: haunted houses but also haunted museums, fells, pyramids and seascapes. By engaging with ecocriticism, race, colonialism, class and gender, this interdisciplinary Companion constitutes a significant scholarly contribution to the Victorian ghost story and how it relates to a broader Gothic tradition.
The Palgrave Handbook of Gothic Origins
This handbook provides a comprehensive overview of research on the Gothic Revival. The Gothic Revival was based on emotion rather than reason and when Horace Walpole created Strawberry Hill House, a gleaming white castle on the banks of the Thames, he had to create new words to describe the experience of gothic lifestyle. Nevertheless, Walpole’s house produced nightmares and his book The Castle of Otranto was the first truly gothic novel, with supernatural, sensational and Shakespearean elements challenging the emergent fiction of social relationships. The novel’s themes of violence, tragedy, death, imprisonment, castle battlements, dungeons, fair maidens, secrets, ghosts and prophecies ...
The Palgrave Handbook of Contemporary Gothic
“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark p...
The Palgrave Handbook of Steam Age Gothic
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and...
The Quest for Peace
Johann Jacob Krafft was born in Württemberg. Germany, ca. 1740. He immigrated to America and was living in Springfield Township, York County, Pennsylvania, by 1763. He married Maria Dorothea Nes, ca. 1764. They had seven children, 1765-ca. 1777. His name last appears in the records of York County in 1795. His son, George Croft (1770-1855) migrated to Botetourt County, Virginia. He married Mary Critz (1778-1846) there in 1799. They had nine children, 1800-1820. They family migrated to Bethel Township, Clark County, Ohio, in 1804. George and Mary Croft are buried in Ferncliff Cemetery, Clark County. Descendants lived in Ohio, Texas, Utah, California, Arizona, and elsewhere.
Vampire
The Vampire: An Edinburgh Companion examines the recurrent figure of the vampire from its folkloric origins, through eighteenth- and nineteenth-century Gothic literature, to those twentieth- and twenty-first century innovations that have disseminated the un-dead across global popular culture. Through a systematically commissioned range of original essays, this volume offers an unequalled overview of both the textual and critical fields, advancing a challenging reassessment of the canonical and uncanonical un-dead in fiction, poetry, reportage, cinema and comic art. Interdisciplinary and international in conception, it interrogates not merely the enduring literary presence of the vampire but also the physical and spiritual implications of vampirism, tracing its conventions beyond Europe and the United States into Asia. This volume is an essential summary of representations of the vampire and how they help us contemplate victimhood, morality, mortality and human identity.
One Wise Man
Frederick Weiss was born before 1733, probably in Germany. He married Maria Warlick, daughter of Daniel Warlick and Maria Margaretha Marsteller, in about 1752 in Pennsylvania or North Carolina. Descendants and relatives lived mainly in North Carolina, Virginia, Kentucky, Illinois, Arkansas, Kansas and California.
Annual Report
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Cornish Gothic, 1830-1913
This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.
The Descendants of Jonas Ingram and Melinda Butler
Jonas Ingram was likely born ca. 1778 in Montgomery Co., Virginia where his parents Jonathan Ingram and Barbara Menefee lived until the year 1798. Later in 1799, Jonas moved with parents to Logan Co., Kentucky. He married Melinda Butler ca. 1801 in Maury Co., Tennessee. They were the parents of three sons. Jonas is believed to have died ca. 1807 in Kentucky. Descendants lived primarily in Tennessee and elsewhere.
