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From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to the music they revered. This interdisciplinary collection of essays is the first book-length effort to...
Marian Finucane was a trailblazing broadcaster, the first to champion women's issues on air, and respected for her fairness, empathy and doggedness. One of a small group of Irish people known simply by their first name, the nation mourned when she died suddenly, aged 69, in January 2020. But John Clarke, Marian's widower, doesn't use her moniker – instead, he calls her 'Finucane'. It highlights the gap between the woman so many felt they knew and the woman he loved – the real Marian – who was by turns curious, fiery, emotional, stubborn, charming and endlessly excited by life. When John and Marian first got together, they promised each other that they'd never be boring. What ensued was forty years of conversation and thousands of miles travelled. Finucane & Me is an unexpected love story: the story of two people who 'made a pact for madness'; the story of a never-ending search for meaning; the story of two people who lived life to its fullest.
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, an...
A fascinating exploration of the relationship between American culture and music as defined by musicians, scholars, and critics from around the world. Music has been the cornerstone of popular culture in the United States since the beginning of our nation's history. From early immigrants sharing the sounds of their native lands to contemporary artists performing benefit concerts for social causes, our country's musical expressions reflect where we, as a people, have been, as well as our hope for the future. This four-volume encyclopedia examines music's influence on contemporary American life, tracing historical connections over time. Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture demonstrates the symbiotic relationship between this art form and our society. Entries include singers, composers, lyricists, songs, musical genres, places, instruments, technologies, music in films, music in political realms, and music shows on television.
A collection of essays considering how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities.
"Tex Morton was an early country music star in New Zealand, Australia, and, to a lesser degree, in southern Asia. In a time when the American country-music boom was just beginning to echo around the world, Morton turned his natural talent for yodeling into full-blown country music stardom, even making his way to America for a time. Andrew K. Smith's biography explores Morton's early life, his burgeoning career, his tumultuous stardom, his final years, and his lasting place in the global phenomenon of country music"--
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Bringing together the analytical, aural, and tactile activities that comprise a tonal theory curriculum, The Complete Musician, Second Edition, relies on a diverse repertoire and innovative exercises to explicitly connect theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class. It provides students with a strong foundation in the principles of writing, analyzing, hearing, singing, and playing tonal harmony and enables them to understand the most important musical forms. Features of the Second Edition * Enhanced and supplemented by five music DVDs--two packaged with the text, two with Student Workbook I, and one with Student Workbook ...