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It is only in the past 20 years that the concept of 'recovery' from mental health has been more widely considered and researched. Before then, it was generally considered that 'stability' was the best that anyone suffering from a mental disorder could hope for. But now it is recognised that, throughout their mental illness, many patients develop new beliefs, feelings, values, attitudes, and ways of dealing with their disorder. The notion of recovery from mental illness is thus rapidly being accepted and is inserting more hope into mainstream psychiatry and other parts of the mental health care system around the world. Yet, in spite of conceptual and other challenges that this notion raises, ...
Phenomenology and the Arts develops the interplay between phenomenology as a historical movement and a descriptive method within Continental philosophy and the arts. Divided into five themes, the book explores first how the phenomenological method itself is a kind of artistic endeavor that mirrors what it approaches when it turns to describe paintings, dramas, literature, and music. From there, the book turns to an analysis and commentary on specific works of art within the visual arts, literature, music, and sculpture. Contributors analyze important historical figures in phenomenology—Kant, Hegel, Husserl, Heidegger, and Merleau-Ponty. But there is also a good deal of work on art itself—Warhol, Klee, jazz, and contemporary and renaissance artists and artworks. Edited by Peter R. Costello and Licia Carlson, this book will be of interest to students in philosophy, the arts, and the humanities in general, and scholars of phenomenology will notice incredibly rich, groundbreaking research that helps to resituate canonical figures in phenomenology with respect to what their works can be used to describe.
This book shows that a distinct form of technological madness emerged within modernist culture, transforming much of the period's experimental fiction.
The author of Emerson & Self-Culture shares essays covering such themes as identity, experience, ethics, poetry, philosophy, history, and race. John T. Lysaker works between and weaves together questions and replies in philosophical psychology, Emerson studies, and ethics in this book of deep existential questioning. Each essay in this atypical, philosophical book employs recurring terms, phrases, and questions that characterize our contemporary age. Setting out from the idea of where we are in an almost literal sense, Lysaker takes readers on an intellectual journey into thematic concerns and commitments of broad interest, such as the nature of self and self-experience, ethical life, poetry...
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