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Jay Dolan transformed the writing of American Catholic history a quarter-century ago by telling the story from the bottom up instead of from the top down. In recent years a number of parish histories have appeared that reflect and expand this new methodology. They successfully relate the life of a local faith community to the larger religious and secular world of which it is a part, and reciprocally illuminate that bigger world from the perspective of this local community. St. Joseph's Church in Greenwich Village offers a fruitful opportunity for this kind of history. During the life span of this parish, the Catholic community in New York City has grown from a mere thirty or forty thousand t...
Volume contains: 105 NY 146 (People v. Fitzgerald) 105 NY 153 (Syms v. Mayor & Commonalty of N.Y.) 105 NY 159 (Loughlin v. State of N.Y.) 105 NY 164 (Chrystal v. Troy and B. R.R. Co.) 105 NY 210 (Mayor, etc., of N.Y. v. Sands) 105 NY 223 (Gifford v. Corrigan) 105 NY 229 (Rexford v. State of N.Y.) 105 NY 234 (Wiles Laundering Co. v. Hablo) 105 NY 621 (Clements v. State of N.Y.) 105 NY 621 (Bookman v. Stegman) 105 NY 623 (Cossitt v. Winchell) 105 NY 636 (Avery v. State of N.Y.)
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Containing reports from Pennsylvania judicial districts and other leading decisions.
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions, the musicals of the 1910s found their own American voice. In The Complete Book of 1910s Broadway Musicals, Dan Dietz covers all 312 musicals that opened on Broadway during this decade. Among the shows discussed are The Balkan Princess, The Kiss Waltz, Naughty Marietta, The Firefly, Very Good Eddie, Leave It to Jane, Watch Your Step, See America First, and La-La-Lucille. Dietz places each musical in its historical context, including the women’s suffrage movement and the decade’s defining hist...