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Taboo and Transgression in British Literature from the Renaissance to the Present develops an innovative overview of the interdisciplinary theoretical approaches to the topic that have emerged in recent years. Alongside exemplary model analyses of key periods and representative primary texts, this exciting new anthology of critical essays has been specifically designed to fill a major gap in the field of literary and cultural studies. This book traces the complex dynamic and ongoing negotiation of notions of transgression and taboo as an essential, though often neglected, facet to understanding the development, production, and conception of literature from the early modern Elizabethan period through postmodern debates. The combination of a broad theoretical and historical framework covering almost fifty representative authors and uvres makes this essential reading for students and specialists alike in the fields of literary studies and cultural studies.
Impossibly muscular men and voluptuous women parade around in revealing, skintight outfits, and their romantic and sexual entanglements are a key part of the ongoing drama. Such is the state of superhero comics and movies, a genre that has become one of our leading mythologies, conveying influential messages about gender, sexuality, and relationships. Love, Sex, Gender, and Superheroes examines a full range of superhero media, from comics to films to television to merchandising. With a keen eye for the genre’s complex and internally contradictory mythology, comics scholar Jeffrey A. Brown considers its mixed messages. Superhero comics may reinforce sex roles with their litany of phallic mu...
This book contributes significantly to Law and Literature studies. Arguing for the political relevance of their work, the editors open the volume with an introduction that summarizes topical developments in law enforcement and penal politics including the 'prisonization' of American society and popular support for &la" no tolerance approaches to crime. The fourteen essays that follow - six on trials and eight on prisons - discuss subjects ranging from the political ramifications of Captain Kidd's trials for piracy to a reading of South African prison memoirs and include treatments of prison films, courtroom dramas and works by Dickens, Shakespeare and Scott. The volume demonstrates powerfully how concepts of criminality are constructed and how literature participates in, and sometimes enhances, general discursive traditions of adversarial litigation and carcerality.
This innovative collection of essays re-examines conventional ideas of the history of childhood, exploring the child's increasing prominence in eighteenth-century discourse and the establishment of the category of age as a marker of social distinction alongside race, class and gender. While scholars often approach childhood within the context of a single nation, this collection takes a comparative approach, examining the child in British, German and French contexts and demonstrating the mutual influences between the Continent and Great Britain in the conceptualization of childhood. Covering a wide range of subjects, from scientific and educational discourses on the child and controversies ov...
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Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity investigates the intersection of film theory and nineteenth-century literature, arguing that the depth of amalgamation that occurred within literary representation during this era aims to replicate an illusion of life and its sensations, in ways directly related to broader transitions into our modern cinematic age. A key part of this evolution in representation relies on the continual re-emergence of the artificial woman as longstanding expression of masculine artistic subjectivity, which, by the later nineteenth century, becomes a photographic and filmic drive. Moving through the beginning of film ...
Four of the children of Johann Heinrich Güldner and Magdalina Rebecca (Hickethier) Güldner immigrated between 1849 and 1867 to various places in Wisconsin, one later moving to Nebraska. Two children remained in Germany. The four immigrants were: John Christian Guildner (1825-1907) to Lewiston, Wisconsin in 1849; Mary Friedrika Guildner to New York in 1867, moved to Mondovi, Wisconsin in 1869/ 1870; Carolyn Henrietta Guildner (1831-1911) to Mondovi in 1850/1851; and John Siegfried Gueldner (ca. 1837-1911) to Mondovi and Lewiston in 1855. Descendants and relatives lived in Wisconsin, Nebraska, Minnesota, North Dakota, South Dakota, California, and elsewhere. Includes some genealogical data about one of the children (Bernhardine Güldner who married Franz Ramm) who remained in Germany.
“I do not say you are it, but you look it, and you pose at it, which is just as bad,” Lord Queensbury challenged Oscar Wilde in the courtroom—which erupted in laughter—accusing Wilde of posing as a sodomite. What was so terrible about posing as a sodomite, and why was Queensbury’s horror greeted with such amusement? In Oscar Wilde Prefigured, Dominic Janes suggests that what divided the two sides in this case was not so much the question of whether Wilde was or was not a sodomite, but whether or not it mattered that people could appear to be sodomites. For many, intimations of sodomy were simply a part of the amusing spectacle of sophisticated life. Oscar Wilde Prefigured is a stud...