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This interpretive ethnography explores the academic practices of three lesbian faculty members at Liberal U., a public research university. Drawing on poststructural theories, the text takes readers beyond constructions of lesbian faculty that rely on identity, voices, and visibility to consider the construction and shifting meanings of academic research, teaching, and collegial relations in practice. Talburt depicts the complicated relations of knowledge, identity, and sexuality as interrelated terms whose meanings are constructed as contingent possibilities. This book challenges us to rethink policy and practice, identity and difference, and knowledge and ignorance as lived and created in constantly shifting networks of relation.
Lifeboat! is the tense and dramatic story of the dangers faced by a rescue crew from Margaret Dickinson. In a holiday resort on the Lincolnshire coast at a Bank Holiday weekend the last thing Iain Macready, coxswain of the lifeboat, wants is a spate of hoax calls. But he and his crew have to deal with these just as they have to answer the genuine calls that inevitably come at holiday time. When a storm breaks over Saltershaven, Macready's own daughter is missing at sea in a sailing dinghy, whilst duty obliges Macready to set course away from the area where she may be to answer a distress call from a coaster.
After she discovers the abusive side of his personality, Janet Mitchell leaves Jack Dexter, the professor who swept her off her feet. Will she discover the same darkness in Wes, the handsome young man who rescues her during a hurricane? Years ago, Wes Corbett vowed not to get romantically involved again, fearing anyone close to him might be harmed by his brother William, a born criminal. Now, as he weathers the storm with Janet, their mutual attraction becomes clear. Can he keep that vow—even though he knows William is on the loose and may be headed directly for them?
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Steel City Readers makes available, and interprets in detail, a large body of new evidence about past cultures and communities of reading. Its distinctive method is to listen to readers' own voices, rather than theorising about them as an undifferentiated group. Its cogent and engaging structure traces reading journeys from childhood into education and adulthood, and attends to settings from home to school to library. It has a distinctive focus on reading for pleasure and its framework of argument situates that type of reading in relation to dimensions of gender and class. It is grounded in place, and particularly in the context of a specific industrial city: Sheffield. The men and women featured in the book, coming to adulthood in the 1930s and 1940s, rarely regarded reading as a means of self-improvement. It was more usually a compulsive and intensely pleasurable private activity.
Horror legend Harry Tuttle is desperate for a hit. Harry’s career has been on a painful slide ever since he directed a couple of box office winners in the 1980s. Enter Marcus Stegman, a young unknown with a horror picture of his own. It’s not only a brilliant debut — it’s the movie Harry always dreamed of making. A rivalry ensues — and it’s about to become bloody. A suspicious film critic, beautiful young starlet, and deranged fan become entangled in the cut-throat competition where hungry hopefuls will go to any means necessary to break into the big-time...and no one is safe.
The story of New Zealand’s response to its second most powerful earthquake on record Described by Geonet as one of the most complex earthquakes ever observed, RNZ's Vicky McKay was first to report on its violence, broadcasting live in the Wellington studio when 7.8 arrived by stealth at 12.02am. As intermittent reports came in from as far north as Auckland and south to Gore, confusion reigned and New Zealanders were asked to turn on public radio for live updates. Reporters for the national broadcaster scrambled - and leading the way was veteran journalist Phil Pennington, part of the first team to arrive in the damage zone. Surviving 7.8 relives the drama from the moment it struck to the r...
Abraham Funk (1854-1931) married Johanna Kliver in 1883; they emigrated from West Prussia to Canada in 1903, settling in Saskatchewan. Descendants of this Mennonite family have lived in Saskatchewan, other provinces of Western Canada, and parts of the United States.