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This book offers a unique insight into the inner workings of international courts and tribunals. Combining the rigour of the essay and the creativity of the novel, Tommaso Soave narrates the invisible practices and interactions that make up the dispute settlement process, from the filing of the initial complaint to the issuance of the final decision. At each step, the book unravels the myriad activities of the legal experts running the international judiciary – judges, arbitrators, agents, counsel, advisors, bureaucrats, and specialized academics – and reveals their pervasive power in the process. The cooperation and competition among these inner circles of professionals lie at the heart of international judicial decisions. By shedding light on these social dynamics, Soave takes the reader on a journey through the lives, ambitions, and preoccupations of the everyday makers of international law.
The lake was flat and calm, with barely a ripple. Its dark waters glistening, reflecting the moonlight as though it were a mirror. Fritz Marschall knew that neither he, nor his friend, should really have been there. They, like many others before them, had been attracted to the lake by the many rumors that had been circulating. He thought of the endless stories there had been, of treasures sunken in, or buried around the lake. He recalled the stories of the lake being used to develop torpedoes and rockets during the war. Looking out across the dark water, he wondered what secrets were hidden beneath the surface.
Space, Place and Poetry in English and German, 1960-1975 examines the work of Paul Celan, J. H. Prynne, Derek Mahon, Sarah Kirsch, Edwin Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape. Nicola Thomas highlights hitherto underexplored connections between a wide range of poets working across the two language areas, demonstrating that space and place are vital critical categories for understanding poetry of this period. Thomas’s analysis reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place oriented poetic criticism, to the benefit of both.
Marking Paul Celan's 100th birthday and the 50th anniversary of his death, this volume endeavours to answer the following question: why does Celan still matter today – more than ever perhaps? And why should he continue to matter tomorrow? In other words, the volume explores and assesses the enduring significance of Celan's life and œuvre in and for the 21st century. Boasting cutting-edge research by international scholars together with original contributions by contemporary artists and writers, this book attests to, on the one hand, the extent to which large swathes of contemporary philosophy, poetics, literary scholarship, and aesthetics have been indebted to Celan's legacy and are simply unthinkable without it, and, on the other hand, to the malleability, adaptability, breadth and depth of Celan's poetics, which, like the music of The Beatles, Led Zeppelin, or Queen, is reborn and rediscovered with every new generation.
Technical and vocational education and training (TVET) research has become a recognized and well-defined area of interdisciplinary research. This is the first handbook of its kind that specifically concentrates on research and research methods in TVET. The book’s sections focus on particular aspects of the field, starting with a presentation of the genesis of TVET research. They further feature research in relation to policy, planning and practice. Various areas of TVET research are covered, including on the vocational disciplines and on TVET systems. Case studies illustrate different approaches to TVET research, and the final section of the book presents research methods, including interview and observation methods, as well as of experimentation and development. This handbook provides a comprehensive coverage of TVET research in an international context, and, with special focus on research and research methods, it is a cutting-edge resource and reference.
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Die Beiträger eröffnen den Blick auf ein breites Spektrum in Verfahren und Funktionen der dichterischen bzw. künstlerischen Bezugnahme auf Paul Celan. Sie thematisieren unterschiedliche Varianten der Fortsetzung, Aneignung und Reminiszenz, der affirmierenden und anerkennend kritischen Wiederverwendungen von Bildern und sprachlich-stilistischen Eigenarten Celan'scher Gedichte, von zum Zitat geronnenen poetischen Programmen und Dichtungsidealen. Das Interesse gilt dabei der Produktivität, welche diesen Bezugnahmen für die Dynamiken der Traditionsbildung in unterschiedlichen Medien zukommt. Hierbei wird erkennbar, wie sich über die Celan-Referenzen Fragen ästhetischer Mustergültigkeit und der moralischen Verantwortung von Kunst verhandeln sowie poetologisch-legitimatorische Diskurse entfalten lassen.
Includes entries for maps and atlases.