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A Narratology of Drama
This volume argues against Gérard Genette’s theory that there is an “insurmountable opposition” between drama and narrative and shows that the two forms of storytelling have been productively intertwined throughout literary history. Building on the idea that plays often incorporate elements from other genres, especially narrative ones, the present study theorises drama as a fundamentally narrative genre. Guided by the question of how drama tells stories, the first part of the study delineates the general characteristics of dramatic narration and zooms in on the use of narrative forms in drama. The second part proposes a history of dramatic storytelling from the Renaissance to the twenty-first century that transcends conventional genre boundaries. Close readings of exemplary British plays provide an overview of the dominant narrative modes in each period and point to their impact in the broader cultural and historical context of the plays. Finally, the volume argues that throughout history, highly narrative plays have had a performative power that reached well beyond the stage: dramatic storytelling not only reflects socio-political realities, but also largely shapes them.
Feeling Felt in Pastoral Care Counselling and Supervision
This book contains several scientific and professional contributions of the 13th Conference of the European Council on Pastoral Care and Counselling, a network of organizations and individuals in the practice, teaching or supervising of pastoral care and counselling in Europe.
Philosophizing Contestation
Engaging with the concept of contestation, this collection highlights tensions that emerge from various modes of contestation and outlines a negative ideal theory of contestation in relation to politics.
The Cinema of Social Death
In The Cinema of Social Death: Blackhood At-Large, Tryon P. Woods argues that cinematic counter-narratives to society's deep-seated racist culture, while claiming to advance racial justice, fail to escape the trappings of anti-blackness and instead function to disguise a parasitic and antagonistic relationship toward blackness, rather than expose how the paradigm works. Through analyses of a selection of purportedly anti-racist narratives from documentarian Liz Garbus and a trio of independent black filmmakers, Tanya Hamilton, Haile Gerima, and Spike Lee, Woods demonstrates the precarious nature of telling stories of racial justice without falling into the contradictory trap of imposing anti...
Religion, Christian Faith, and Secular World
What has been the role and understanding of religion in the last hundred years, and what can be the meaning of religion today? There is a well-known ongoing process of secularization in the Western world. Is there also a return of religion? And what does the fate of religion mean for an understanding of the Christian faith? These are topics of this book. The articles originate from the actual fields of research of an interdisciplinary group of scholars, who took part in a symposium held in Bergen Nov. 2019. The contributions relate to specific contexts in the modern history of religion from the perspective of religious studies, theology, philosophy and sociology.
Soli Deo Honor Et Gloria
Sasja E.M. Stopa explores the influence of honour and glory on Martin Luther's theology. Luther's works overflow with terminology of honour and glory. Analysing a broad selection hereof, Stopa argues that his doctrine of justification centers on a soteriological concern for the recreation of human glory lost in the Fall and a doxological concern for God's glory stolen by sinners. Stopa shows how this relation to God patterns Luther's understanding of social relations and discusses justification as a process of mutual recognition translating Luther's theology of glory into contemporary theology.
Globalizing Automobilism
Why has “car society” proven so durable, even in the face of mounting environmental and economic crises? In this follow-up to his magisterial Atlantic Automobilism, Gijs Mom traces the global spread of the automobile in the postwar era and investigates why adopting more sustainable forms of mobility has proven so difficult. Drawing on archival research as well as wide-ranging forays into popular culture, Mom reveals here the roots of the exuberance, excess, and danger that define modern automotive culture.
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