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'The Pop artists were among the first to understand the desire of consumers to change their lives through the purchase of clean, manufactured commodities. YBA, on the other hand, was more interested in the dirt that accrues beneath the laminate surface of shiny things. Their special perception was that cheap language and cheap materials didn't have to equal cheap thinking. The trick was to tell it in a jaunty, unportentous, off-hand, unliterary - anti-literary - way. And then there were the drugs.' Spanning nearly 35 years, Sex & Violence, Death & Silence is a collection of the best of Gordon Burn's writing on art. Focusing on two principle generations - the Royal College pop art of Hockney ...
This exhibition represents one of many possible takes on women and the Post-Minimalist legacy. Its conception and realization greatly depend on the efforts of numerous artists who, over the last twenty-five years, have forged significant changes within the art world.
The radar, besides camera and Lidar systems, is a core sensor to enable autonomous driving. The relatively limited angular resolution is the major drawback of the radar. This thesis shows the development of a conceptual future radar system for automotive applications. The focus is on providing a large antenna aperture to achieve the required high angular resolution. Two genetic algorithms are developed to optimize the antenna array for a good side lobe level while providing high angular resolution. Two demonstrators are built to implement certain aspects of the proposed radar system and prove the general concept viable. The first demonstrator features a large aperture with a limited side lob...
A review and analysis of existing scholarship on the different national traditions and on the various modes and subjects of law and humanities.
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Catalogo della mostra d'arte contemporanea tenuta a Bologna, Villa delle Rose nel 1993, in collaborazione con la Galleria d'Arte Moderna. Esposte opere di: M. Barzagli, T. Bernstein, V. Corsini, T. Grünfeld, V. Shine, Wastijn & Deshuymer, C. Wood.
Exhibition of preparatory sketches for some of the sculptor's works.
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Accompanying the 2001 exhibition that made its debut at a shop in Oxford Street, London, this title is in effect an inventory of the possessions that were broken down into their component parts during the installation.