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Girlhood in the Contemporary American Novel
What experiences constitute 'girlhood'? What personal and social pathways are available to girls in contemporary American fiction? These questions lie at the heart of this book, which argues that emancipatory new representations of girlhood have emerged in novels published between 1990-2020, in response to the social and cultural transformations that have been catalysed by the girl-centric agendas of contemporary feminism. Through analysing how twelve contemporary novelists depict girlhood as an expansive period during which girls can fulfil a range of personal and socio-political agendas - from pursuing intellectual ambitions at university, to achieving self-realisation through solo travel - this book investigates how contemporary fiction asks readers to view girlhood anew, by reimagining the personal, narrative and social possibilities of American girlhood.
The Feminist Bestseller
Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.
Women's Fiction 1945-2005
Organised around each decade of the post war period, this book analyses novels written by and for women from 1945 to the present. Each chapter identifies a specific genre in popular fiction for women which marked that period and provides case studies focusing on writers and texts which enjoyed a wide readership. Despite their popularity, these novels remain largely outside the 'canon' of women's writing, and are often unacknowledged by feminist literary criticism. However, these texts clearly touched a nerve with a largely female readership, and so offer a means of charting the changes in ideals of femininity, and in the tensions and contradictions in gender identities in the post-war period. Their analysis offers new insights into the shifting demands, aspirations and expectations of what a woman could and should be over the last half century. Through her analysis of women's writing and reading, Philips sets out to challenge the distinction between 'popular' and 'literary' fiction, arguing that neat categories such as 'popular', 'middle brow' and 'serious fiction' need more careful definition.
Latino Literature in America
There is growing awareness of the tremendous impact Latino writers have had on the recent literary scene, yet not all readers have the background to fully appreciate the merits and meanings of works like House on Mango Street, Line of the Sun, Bless Me Ultima, and In the Time of Butterflies. Offering analysis of their most important, popular, and frequently assigned fictional works, this book surveys the contributions of eight notable Latino writers: Julia Alvarez, Rodolfo Anaya, Sandra Cisneros, Junot Díaz, Christina Garía, Oscar Hijuelos, Ortiz Cofer, and Ernesto Quiñonez. Each chapter gives biographical background on the author and clear literary analysis of the selected works, includi...
Northern at 100
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My Teeming Brain
A study of the psychology of the creative writer. It discusses: the personality characteristics of writers; their creative processes; young writers; how writers view the self; and practical aspects. The second part of the book covers themes in the lives of 160 writers - 80 women and 80 men.
Beyond Borders
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Moving on
A background synthesis freshly discussing the work of Chopin, McCullers, O'Connor, Mitchell, and Welty leads to extended treatment of the novels of Shirley Ann Grau, whose protagonists, "keepers of the house," remain their fathers' daughters; of Anne Tyler, whose characters are "fatherless" and "homeless at home"; and Gail Godwin, whose daughter-heroines learn the necessity of autonomy.
