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The Routledge Handbook of Ecofeminism and Literature
The Routledge Handbook of Ecofeminism and Literature explores the interplay between the domination of nature and the oppression of women, as well as liberatory alternatives, bringing together essays from leading academics in the field to facilitate cutting-edge critical readings of literature. Covering the main theoretical approaches and key literary genres of the area, this volume includes: Examination of ecofeminism through the literatures of a diverse sampling of languages, including Hindi, Chinese, Arabic, and Spanish; native speakers of Tamil, Vietnamese, Turkish, Slovene, and Icelandic Analysis of core issues and topics, offering innovative approaches to interpreting literature, includ...
John Clare Society Journal 11 (1992)
Clare records that it was 'a very old custom among villagers in summer time to stick a piece of greensward full of field flowers and place it as an ornament in their cottages which ornaments are called Midsummer Cushions.' This 'cottage custom'suggested the title to him for this collection. The texts of the poems are those which Clare himself wanted to publish in 1832, but for which he could not find a sufficient number of subscribers. Almost a third of the book's 391 poems were published for the first time when this collection first appeared in 1978. These poems, edited by Anne Tibble, a Yorkshire-born scholar and biographer of John Clare, finally cement the poet's long-deserved reputation as our foremost naturalist poet of the English countryside.
Modern British Nature Writing, 1789–2020
This first full-length study of modern British nature writing is timely and invaluable for literary scholarship in the environmental crisis.
John Clare in Context
Critics including Seamus Heaney provide a welcome reappraisal in the wake of Clare's bicentenary.
The Poetry of Clare, Hopkins, Thomas, and Gurney
This book attends to four poets – John Clare, Gerard Manley Hopkins, Edward Thomas, and Ivor Gurney – whose poems are remarkable for their personal directness and distinctiveness. It shows how their writing conveys a potently individual quality of feeling, perception, and experience: each poet responds with unusual commitment to the Romantic idea of art as personal expression. The book looks closely at the vitality and intricacy of the poets’ language, the personal candour of their subject matter, and their sense, obdurate but persuasive, of their own strangeness. As it traces the tact and imagination with which each of the four writers realises the possibilities of individualism in lyric, it affirms the vibrancy of their contributions to nineteenth and twentieth-century poetry.
The Letters of John McGahern
I am no good at letters. John McGahern, 1963 John McGahern is consistently hailed as one of the finest Irish writers since James Joyce and Samuel Beckett.This volume collects some of the witty, profound and unfailingly brilliant letters that he exchanged with family, friends and literary luminaries - such as Seamus Heaney, Colm Tóibín and Paul Muldoon - over the course of a well-travelled life. It is one of the major contributions to the study of Irish and British literature of the past thirty years, acting not just as a crucial insight into the life and works of a much-revered writer - but also a history of post-war Irish literature and its close ties to British and American literary life. 'One of the greatest writers of our era.' Hilary Mantel 'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike
