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German Culture in Nineteenth-century America
"This volume examines the circulation and adaptation of German culture in the United States during the so-called long nineteenth century - the century of mass German migration to the new world, of industrialization and new technologies, American westward expansion and Civil War, German struggle toward national unity and civil rights, and increasing literacy on both sides of the Atlantic. Building on recent trends in the humanities and especially on scholarship done under the rubric of cultural transfer, German Culture in Nineteenth-Century America places its emphasis on the processes by which Americans took up, responded to, and transformed German cultural material for their own purposes. Informed by a conception of culture as multivalent, permeable, and protean, the book focuses on the mechanisms, agents, and means of mediation between cultural spaces."--BOOK JACKET.
Heroes and Heroism in German Culture
As Brecht's Galileo observed, a country which needs heroes is unfortunate indeed - words which suggest that a society's need for heroes is always a function of its shortcomings. By examining the role that heroes and heroism have played in German literature and culture over the past two centuries, the essays in this volume illuminate and contour both a flawed German society in need of heroes and the flawed but essential heroes brought forth by that society. Beginning in he era of the anti-Napoleontic Wars of Liberation, advancing to the challenging situation Germany faced at the end of World War II, and concluding with the current reemergence of a unified Germany after almost half a century of division, this volume broadens our understanding of the inadequacies and breakdowns of German society. In addition to analyses of heroism in German culture during the last two centuries, this volume contains the first major essays in English on cultural representations of disability in German culture and on AIDS in German literature, as well as two essays on the scholarly accomplishments of Jost Hermand, to whom all of the essays in the volume are dedicated.
Germany and the Imagined East
German-speaking Europe is an array of images that have emerged from varied discourses about itself and its neighbors, and “Germany and the Imagined East” revolves around the exchange of views on and in the vast construct called “the East.” The world has been divided conceptually in countless ways, but the works in this volume treat aspects of Germany as both part of and also separate from any perception of an eastern border. From the former German Democratic Republic,“East Germany,” to Österreich—whose name loses its eastern association in the English version, Austria,—the East begins within the very world of the German language. But it is also the expanse off to the right o...
Embodied Histories
Explores the emergence of a new womanhood in turn-of-the-century Vienna. In Embodied Histories, historian Katya Motyl explores the everyday acts of defiance that formed the basis for new, unconventional forms of womanhood in early twentieth-century Vienna. The figures Motyl brings back to life defied gender conformity, dressed in new ways, behaved brashly, and expressed themselves freely, overturning assumptions about what it meant to exist as a woman. Motyl delves into how these women inhabited and reshaped the urban landscape of Vienna, an increasingly modern, cosmopolitan city. Specifically, she focuses on the ways that easily overlooked quotidian practices such as loitering outside cafés and wandering through city streets helped create novel conceptions of gender. Exploring the emergence of a new womanhood, Embodied Histories presents a new account of how gender, the body, and the city merge with and transform each other, showing how our modes of being are radically intertwined with the spaces we inhabit.
German Women's Writing of the Eighteenth and Nineteenth Centuries
German women writers of the eighteenth and nineteenth centuries have been the subject of feminist literary critical and historical studies for around thirty years. This volume, with contributions from an international group of scholars, takes stock of what feminist literary criticism has achieved in that time and reflects on future trends in the field. Offering both theoretical perspectives and individual case studies, the contributors grapple with the difficulties of appraising 'non-feminist' women writers and genres from a feminist perspective and present innovative approaches to research in early women's writing. This inclusive and cross- disciplinary collection of essays will enrich the study of German women's writing of the eighteenth and nineteenth centuries and contribute to contemporary debates in feminist literary criticism. Anna Richards is Lecturer in German at Birkbeck College, University of London. Helen Fronius is College Lecturer in German at Keble College, University of Oxford.
Print Markets and Political Dissent
Moving book history in a new direction, this study examines publishers as brokers of Central Europe's political public sphere. They created international print markets, translated new texts, launched new journals, supported outspoken authors, and experimented with popular formats. Most of all, they contested censorship with finesse and resolve, thereby undermining the aim of Prussia and Austria to criminalize democratic thought. By packaging dissent through popular media, publishers cultivated broad readerships, promoted political literacy, and refashioned citizenship ideals. As political actors, intellectual midwives, and cultural mediators, publishers speak to a broad range of scholarly in...
Publishing Culture and the "reading Nation"
In examining facets of the lives of select books from the 1780s to the 1930s that Germans actually read, these essays present a complex and nuanced picture of writing, publishing and reading in the shadow of nation building and class formation, and suggest how the analysis of texts and the study of books can inform one another.
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A User's Guide to German Cultural Studies
Capitalizes on the ripeness of the German case for interdisciplinary investigation
Thomas Mann's The Magic Mountain
This collection seeks to illustrate the ways in which Thomas Mann's 1924 novel, The Magic Mountain, has been newly construed by some of today's most astute readers in the field of Mann studies. The essays, many of which were written expressly for this volume, comment on some of the familiar and inescapable topics of Magic Mountain scholarship, including the questions of genre and ideology, the philosophy of time, and the ominous subjects of disease and medical practice. Moreover, this volume offers fresh approaches to the novel's underlying notions of masculinity, to its embodiment of the cultural code of anti-Semitism, and to its precarious relationship to the rival media of photography, cinema, and recorded sound.
