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Becoming
The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris’s mythology so well-known from Jonathan Demme’s Silence of the Lambs (1991) and its variants. The series concluded late in 2015 after three seasons, despite widespread fan support for its continuation. While there is a healthy body of scholarship on Harris’s novels and Demme’s film adaptation, little critical attention has been paid to this newest iteration of the character and narrative. Hannibal builds on the serial killer narratives of popular procedurals, while taking them in a drastically different direction. Like c...
Yours and Mine & The Bachelor Doctor's Bride
A second shot at love… Marriage is an experience that single mom Joanna Parsons doesn’t plan to repeat, no matter what her eleven-year-old daughter, Kristen, thinks. Tanner Lund feels the same way. Like Joanna, he got divorced after a short, disastrous marriage. And like her, he’s raising his eleven-year-old daughter, Nicole, alone. But Kristen and Nicole have other plans in mind—and it involves the best friends becoming sisters. Both Tanner and Joanna are determined to avoid marriage, yet there’s no resisting their growing attraction… FREE BONUS STORY INCLUDED IN THIS VOLUME! The Bachelor Doctor’s Bride by Caro Carson Cardiologist Quinn MacDowell has no time for affairs of the heart, but then a black-tie affair throws him together with bubbly Diana Connor. These polar opposites must decide if the heat between them will burn for a summer, or forever…
All Around Monstrous: Monster Media in Their Historical Contexts
We know all kinds of monsters. Vampires who suck human blood, werewolves who harass tourists in London or Paris, zombies who long to feast on our brains, or Godzilla, who is famous in and outside of Japan for destroying whole cities at once. Regardless of their monstrosity, all of these creatures are figments of the human mind and as real as they may seem, monsters are and always have been constructed by human beings. In other words, they are imagined. How they are imagined, however, depends on many different aspects and changes throughout history. The present volume provides an insight into the construction of monstrosity in different kinds of media, including literature, film, and TV series. It will show how and by whom monsters are really created, how time changes the perception of monsters and what characterizes specific monstrosities in their specific historical contexts. The book will provide valuable insights for scholars in different fields, whose interest focuses on either media studies or history.
Neo-Victorian Cannibalism
This Pivot examines a body of contemporary neo-Victorian novels whose uneasy relationship with the past can be theorised in terms of aggressive eating, including cannibalism. Not only is the imagery of eating repeatedly used by critics to comprehend neo-Victorian literature, the theme of cannibalism itself also appears overtly or implicitly in a number of the novels and their Victorian prototypes, thereby mirroring the cannibalistic relationship between the contemporary and the Victorian. Tammy Lai-Ming Ho argues that aggressive eating or cannibalism can be seen as a pathological and defining characteristic of neo-Victorian fiction, demonstrating how cannibalism provides a framework for understanding the genre’s origin, its conflicted, ambivalent and violent relationship with its Victorian predecessors and the grotesque and gothic effects that it generates in its fiction.
Making History Happen
Making History Happen: Caribbean Poetry in America examines Lorna Goodison’s Turn Thanks (1999), McCallum’s The Water Between Us (1999), and Claudia Rankine’s Plot (2001) and Don’t Let Me Be Lonely (2004). Engaging familiar themes and issues of time, language, and identity, the readings focus on “Signifying” moments in the works of the poets under discussion. Reflecting on some of the ways that transnational women poets of the black diaspora are using tropes of mobility to create a renewed sense of identity and a sense of belonging to a communal network, the readings also demonstrate that the project of re-writing individual self-identity in light of one’s expanding consciousne...
Yours and Mine
www.DebbieMacomber.com Can they get it right the second time? Single mom Joanna Parsons insists that marriage is an experience she doesn't plan to repeat, no matter what her eleven-year-old daughter, Kristen, thinks. Tanner Lund feels the same way. Like Joanna, he got divorced after a short, disastrous marriage. And like her, he's raising his eleven-year-old daughter, Nicole, alone. But Kristen and Nicole have other plans in mind—and it involves the best friends becoming sisters. Both Tanner and Joanna are determined to resist marriage, but have they underestimated their daughters?
Fleshly Things and Spiritual Matters
This book offers fresh insights into the plethora of medieval bodies and the multiple perspectives that can be assumed in their discussion. The ten essays by internationally renowned scholars and young academics encompass diverse approaches to the body such as the function of gestures, the gendered gaze, the body’s spatial and geographical positioning, the (dis)integrity of the body or the connection between linguistic uses of ‘body’ and physical bodies. While most of the contributions of this collection are in the field of medieval English literature, they underline the value of interdisciplinary approaches which connect them with neighbouring disciplines such as modern literature and arts, history, theology and gender studies. Contributors: Katharina Berger-Meister, Guillemette Bolens, Leslie Dunton-Downer, Laurie Finke, Angelina Keller, Andy Kelly, Fabienne Michelet, R. Allen Shoaf, Lotta Sigurdsson, and Paul Taylor.
Race, Gender, and Identity in American Equine Art
This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture. In focusing on the construction of identity in painting and photography—of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition—it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large. This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.
Reading, Writing, and Translation in the Relación Acerca de Las Antigüedades de Los Indios (c. 1498) by Fray Ramón Pané
This work examines various readings of Fray Ramon Pane's Relacion acerca de las antiguedades de los indios (c. 1498), a pioneering work in ethnography portraying the initial European perceptions of the native inhabitants of the New World. This work should appeal to scholars interested in the study of ethnography, postcolonialism, translation theory, literary theory and discourse analysis. acerca de las antiguedades de los indios (c. 1498), telling the story of the multiple layered readings of the 1974 version of the text put together by Jose Juan Arrom. The original, written by Fray Ramon Pane, a young brother from the Convent of Saint Jerome de la Murta in Badalona, Spain who sailed with Christopher Columbus on his second voyage to the New World, offers a glimpse into the earliest moments of Europe's encounter with the New World. The centuries of reading to which this work has been subjected have shaped its interpretation and translation as individuals from different times, places, and cultures have tried to associate with those things described in the text while also reflecting on themselves, producing an autoethnography.
