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Working against the long-standing belief that romantic-era history is primarily sentimental, Romantic Pasts argues that historians from Mary Wollstonecraft to Thomas Carlyle developed a new kind of cognitive or psychological historicism that was as much concerned with motive as with affect. Recognising that feelings could be a viable object of historical study as well as a sentimental or affective mode, these historians increasingly reconfigured psycho-physiological and behavioural processes as situated and historically variable phenomena that could reflect changes in social and historical contexts. Weaving together literary criticism, the history of emotion, theories of the novel and philosophies of history, this book rethinks both the paradigms of resurrection and revivification that have come to stand for romantic history and that history's place within the development of modern history.
How do academic spaces perpetuate racial and religious inequalities, and what can be done to challenge them? This thought-provoking book examines the intersections of ethnicity, faith and class with a focus on British South Asian Muslim identity. Drawing on ethnographic insights and theoretical frameworks such as postcoloniality, orientalism and hybridity, the author unpacks representations of race, religion and Islamophobia in both academic and public discourse. By connecting historical legacies of imperialism with contemporary inequalities, the book offers both critical analysis and practical suggestions for action. Written in an accessible yet provocative style, this book is set to spark vital conversations and inspire meaningful interventions in higher education and beyond.
How did Victorian travellers define and challenge the notion of Empire? How did the multiple forms of Victorian travel literature, such as fiction, travel accounts, newspapers, and poetry, shape perceptions of imperial and national spaces, in the British context and beyond? This collection examines how, in the Victorian era, space and empire were shaped around the notion of boundaries, by travel narratives and practices, and from a variety of methodological and critical perspectives. From the travel writings of artists and polymaths such as Carmen Sylva and Richard Burton, to a reassessment of Rudyard Kipling’s, H. G. Wells’s and Julia Pardoe’s cross-cultural and cross-gender travels, this collection assesses a broad range of canonical and lesser-studied Victorian travel texts and genres, and evaluates the representation of empires, nations, and individual identity in travel accounts covering Europe, Asia, Africa and Britain.
In this compelling study, Anna Johnston shows how colonial knowledge from Australia influenced global thinking about convicts, natural history and humanitarian concerns about Indigenous peoples. These were fascinating topics for British readers, and influenced government policies in fields such as prison reform, the history of science, and humanitarian and religious campaigns. Using a rich variety of sources including natural history and botanical illustrations, voyage accounts, language studies, Victorian literature and convict memoirs, this multi-disciplinary account charts how new ways of identifying, classifying, analysing and controlling ideas, populations, and environments were forged and circulated between colonies and through metropolitan centres. They were also underpinned by cultural exchanges between European and Indigenous interlocutors and knowledge systems. Johnston shows how colonial ideas were disseminated through a global network of correspondence and print culture.
Special Focus editor: Natasha Lushetich Series editors: Rüdiger Ahrens, Florian Kläger, Klaus Stierstorfer Symbolism is cohesive. It gathers heterogeneity over time, across fields of human endeavor and systems of communication. Non-sequiturs, paradox and tautology, appear dissipative. Yet they are highly productive in reticular and fractal ways. Suffice it to look at the philosophical tautology of Parmenides’s kind, which suggests that being "is"; at the practice of the koan, which collapses dualistic thinking by way of incompatible propositions, such as "the Eastern hill keeps running on the water"; at logical paradoxes in which the operative logic is sabotaged by its own means, as in H...
This book offers an innovative new framework for reading British and settler representations of Indigenous peoples in the nineteenth century. Taking the representation of the Southern African San as its case study, it uses methodologies drawn from critical anthropology, imperial history and literary studies to show the role that literary representations of Indigenous peoples played in popularising the hierarchical view of racial difference. The study identifies an ‘ethnographic poetics’ in which the claims of scientific discourse blend with a consciously literary preference for metaphor and analogy. This created a set of mobile figures that could be disseminated to different reading publics in both Britain and the colonies through a variety of literary genres and textual media. It advances research on race and imperial history by focusing on the importance of literature - from newspapers and periodicals to popular novels - in shaping discourses of national and racial belonging in Britain and the Cape Colony.
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