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The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for ...
An important task for scholars of cultural studies and the humanities, as well as for artistic creators, is to refigure the frames and concepts by which the world as we know it is kept in place. Without these acts of refiguration, the future could only ever be more of the (violent) same. In close dialogue with literary and cinematic works and practices, the essays of this volume help refigure and rethink such pressing contemporary issues as migration, inequality, racism, post-coloniality, political violence and human-animal relations. A range of fresh perspectives are introduced, amounting to a call for intellectuals to remain critically engaged with the social and planetary.
Tracking Loach presents a ground-breaking and unique contribution to the study of cinema. Archibald was granted unprecedented access to observe one of world cinema's most celebrated and controversial filmmakers, Ken Loach, while he was making the 2012 feature The Angels Share, which received The Jury Prize at the Cannes Film Festival.This book draws on this knowledge to offer a first-hand account of the director's celebrated working methods, supplemented with insights gleaned from the British Film Institute's Loach archive, and analysis of his wider output and film-related political activity.Archibald has been 'Tracking Loach' for over three decades, as film viewer, film critic and film academic, and this inside perspective not only offers fresh insights into Loach's films and how they are made, but also highlights the benefits of production studies to the understanding of cinema more broadly.
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Now more than ever, the idea of Europe as grounded in a shared cultural heritage cannot be taken for granted. For all its diversity, complexity and internal tensions, Europe remains a powerful economic and political superstate. But it is one in crisis, where the postwar social democratic consensus has collapsed, the failings of neoliberalism have led to widespread austerity, and extremism, xenophobia and racism are on the rise. This collection of original essays considers filmmakers' engagements with pressing issues of the moment. Taking a long view of the crisis and considering geopolitical changes that took place towards the end of the 20th century, this book examines European cinema's response to the economic, political and social crises that afflict Europe in the present.
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