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In Indian context.
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This is a book of essays about events in the author's life. It covers almost 70 years of life experiences.
When Dr. Laura Benton stands before the Last Woman Memorial, her conviction ignites into rage as she goes all in to stop Victor Lang’s transhuman empire and reclaim Earth before humanity—and women—are erased. Reproduction no longer requires women, society has rendered them obsolete. Transhumans—bio-engineered beings devoid of emotion, gender, and biological reproduction—have risen to power, promising a future free from humanity’s imperfections. But beneath this façade of progress lies a chilling reality: the annihilation of identity, connection, and what it means to be human. Dr. Laura Benton, a former political leader turned reluctant revolutionary, has one year to stop Victor ...
In Indian context.
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.