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Edith Wharton’s sensitively observed portraits of women’s lives a century ago resonate into the present day, captivating readers now as they did then. Threaded throughout her accounts is a rich seam of secrets and silences that reveals Wharton’s keen grasp of the realities navigated by women, and her astute use of withholding to tell their stories. This book explores her frequent marshalling of secrets and silences, presented as an integral part of her literary aesthetic, to cast light on her enduring interest in women’s experiences in private and public settings during the early twentieth century.
Bringing together leading voices from across the globe, The Bloomsbury Handbook to Edith Wharton represents state-of-the-art scholarship on the American writer Edith Wharton, once primarily known as a New York novelist. Focusing on Wharton's extensive body of work and renaissance across 21st-century popular culture, chapters consider: - Wharton in the context of queer studies, race studies, whiteness studies, age studies, disability studies, anthropological studies, and economics; - Wharton's achievements in genres for which she deserves to be better known: poetry, drama, the short story, and non-fiction prose; - Comparative studies with Christina Rossetti, Henry James, and Willa Cather; -Th...
Edith Wharton was not only the author of novels and short stories but also of drama, poetry, autobiography, interior decoration, and travel writing. This study focuses on Wharton’s symbolic representations of architecture in her travel writings. It shows how a network of allusions to travel writing and art history books influenced Wharton’s representations of architectural and natural spaces. The book demonstrates Wharton’s complex relationship to works of art historians (John Ruskin, Émile Mâle, Arthur C. Porter) and travel authors (Wolfgang Goethe, Henry Adams, Henry James) in the trajectory of her travel writing. Kovács surveys how the acknowledgment of Wharton’s sources sheds light both on the author’s model of aesthetic understanding and scenic architectural descriptions, and how the shock of the Great War changed Wharton’s travel destinations but not her symbolic view of architecture as a mediator of things past. Wharton’s symbolic representations of architecture provide a new key to her travel writings.
Thomas West, son of Thomas West, was born in England in about 1630. He emigrated with his family in 1634. They settled in Salem, Massachusetts. He married Phebe Waters 11 October 1658. They had four children. Phebe died 16 April 1674. He married Mary Tenney 14 August 1674. They had seven children. Thomas died 23 December 1720 in Bradford, Massachusetts. Descendants and relatives lived mainly in Massachusetts, Wisconsin, Oklahoma and Michigan.
This volume is of interest for lovers and students of Jeanette Winterson's writing and introduces for the first time a book-length examination of the love stories she has created. Each main novel, from "Oranges Are Not the Only Fruit" to "The Stone Gods," is analysed in detail and theorists ranging from Derrida, to Freud, to Kristeva are invoked to help discuss the paradox that is written into the passion in these works. Love, it is argued here, is central to her writing and this book also unfolds the influences and aspirations that have shaped her style.
This study imagines modernism as a series of conversations and locates Edith Wharton s voice in those debates.
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A clear overview of the major cultural forms of 1930s America: literature and drama, music and radio, film and photography, art and design, and case studies of influential texts and practitioners of the decade.