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The Upper Necaxa Totonac Dictionary represents to-date the most extensive collection of lexical material for any member of the Totonac-Tepehua family and the only such record for this previously-undescribed polysynthetic language, currently spoken in two principal dialects by some 3,400 people, mainly adults, in the Sierra Norte of Puebla State, Mexico. As well as a short grammatical sketch, the dictionary comprises 9,000 lexical entries, including numerous fixed expressions, idioms, and ideophones; each lexical entry is accompanied by part-of-speech information and phonetic transcriptions as well as, where appropriate, dialectal information, grammatical notes (including plurals and classifi...
This book examines the contemporary art world in Latin America from an anthropological perspective and recognises the recent reconfiguration of Lima's art scene. Giuliana Borea traces the practices of artists, curators, collectors, art dealers and museums, identifying three key moments in this reconfiguration of contemporary art in Lima: artistic explorations and new curatorial narratives; museum reinforcement and the strengthening of Latin American art networks; and of the rise of the art market. In so doing, Borea highlights the different actors that come into play in activating and de-activating directions and imaginations. The book exposes the practices of the local, the global, indigeneity and politics in the arts, and reveals that the strengthening of the Lima art scene has fostered the expansion of dominant art views and formats mobilised by transnational elite actors. Featuring analytical chapters interspersed with personal stories, Borea's book presents an in-depth analysis of a specific art scene to open up a new way of understanding contemporary art practices in relation to globalisation, neoliberalism and the city.
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