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This biography provides an exploration of the formative influences, development, and impact of the theology of David Smith Cairns, Scottish minister, academic, and writer, during the high point of British imperial expansion, and at a time of social tension caused by industrialization. It describes and evaluates his role in the Church's efforts to face major challenges relating to its relationships to the different world religions, its response to the First World War, and its attitude to the scientific disciplines that called into question some of its longstanding perceptions and suppositions. An eminent figure, born into the United Presbyterian Church and rooted in the Church in Scotland, Ca...
Many Canadian women fiction writers have become justifiably famous. But what about women who have written non-fiction? When Anne Innis Dagg set out on a personal quest to make such non-fiction authors better known, she expected to find just a few dozen. To her delight, she unearthed 473 writers who have produced over 674 books. These women describe not only their country and its inhabitants, but a remarkable variety of other subjects: from the story of transportation to the legacy of Canadian missionary activity around the world. While most of the writers lived in what is now Canada, other authors were British or American travellers who visited Canada throughout the years and reported on what they found here. This compendium has brief biographies of all these women, short descriptions of their books, and a comprehensive index of their books’ subject matters. The Feminine Gaze: A Canadian Compendium of Non-Fiction Women Authors and Their Books, 1836-1945 will be an invaluable research tool for women’s studies and for all who wish to supplement the male gaze on Canada’s past.
La presente tesis se centra en el género novelístico en lengua inglesa como paradigma de la Identidad literaria canadiense con el fin de analizar su construcción restrictiva por medio de la Recuperación de contribuciones de mujeres y autores étnicos que han sido bien relegadas o bien infravaloradas como agentes literarios relevantes. Esta investigación abarca un periodo que comprende desde la publicación de la primera novela canadiense en inglés, The History of Emily Montague de Frances Brooke en 1769, hasta 1904 año en el que la obra de Sara Jeannette Duncan titulada The Imperialist vió la luz; es decir, desde los comienzos del género en inglés hasta la primera novela modernista...
The SCM -- The "whys" of SCM's women leaders -- SCM committee women -- SCM general and assistant general secretaries -- Introducing the traveling secretary -- The ministry of the traveling secretary -- SCM short and long term pioneers -- SCM targeted student group pioneers -- Scm "warp and woof" pioneers -- SCM conference speakers -- SCM ecumenical pioneers -- SCM intellectual pioneers (biblical criticism and the social sciences) -- SCM social gospel pioneers -- SCM woman's movement pioneers (definition and causes) -- SCM woman's movement pioneers (benefits) -- Final thoughts
In "A Dozen Ways Of Love," L. Dougall intricately weaves twelve poignant narratives, each exploring the multifaceted nature of love through diverse perspectives and experiences. The literary style is characterized by lyrical prose and a deft use of metaphor that resonates with emotional depth, allowing readers to confront both the beauty and complexity inherent in human relationships. Set against a backdrop that ranges from urban landscapes to intimate domestic spaces, the narratives transcend traditional romantic tropes, delving into themes of sacrifice, vulnerability, and the transformative power of love, situating the work firmly within the contemporary literary canon. L. Dougall, an auth...
Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.
In Religious Experience and the New Woman, Joanna Dean traces the development of liberal spirituality in the early 20th century through the life and work of Lily Dougall (1858--1923), a New Woman novelist who became known as a religious essayist and Anglican modernist. Dean examines the connections between Dougall's marginal position as a woman intellectual and her experiential, combatively iconoclastic theology, and demonstrates that through her writing and mentoring, Dougall contributed to the shaping of modern spirituality. Lily Dougall described religious experience -- the sense of the presence of God -- as the "rock" of her theology. Dean observes the protean nature of this rock as Dougall moved from a submissive holiness faith, to a mystical Mauricean sense of the Kingdom of God, to the relational theology of personal idealism, and reveals how psychology, which appeared to provide scientific support for her religious beliefs, eventually threatened to undermine her experiential faith.
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