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This collection casts the spotlight on Asia and its place in global studies on trauma to explore the ways in which violence and trauma are (re)enacted, (re)presented, (re)imagined, reconciled, and consumed through various mediums in the region. The discussions revolve around the ethics of representing and discussing trauma as we negotiate the tensions between trauma and political, historical, literary, and cultural representations in written, visual, digital, and hybrid forms. It examines how perspectives about trauma are framed, perpetuated, and/or critiqued via theories and research methods, and how a constructive tension between theory, method, and experience is essential for critical discourse on the subject. It will discuss varied ways of understanding violence through multidisciplinary perspectives and comparative literature, explore the "violent psyches" of narratives and writings across different mediums and platforms, and engage with how violence and trauma continue to influence the telling and form of such narratives.
This collection explores the interpretation of historical fiction through fictional representations of the past in an Asian context. Emphasising the significance of region and locality, it explores local networks of political and cultural exchanges at the heart of an Asian polity. The book considers how imagined pasts converge and diverge in developed and developing nations, and examines the limitations of representation at a time when theories of world literature are shaping the way we interpret global histories and cultures. The collection calls attention to the importance of acknowledging local tensions—both within the historical and cultural make-up of a country, and within the Asian continent—in the interpretation of historical fiction. It emphasizes a broad-spectrum view that privileges the shared historical experiences of a group of countries in close proximity, and it also responds to the paradigm shift in Asian Studies. Discussing how local conditions shape and create expectations of how we read historical fiction and working with the theme of fictionality and locality, the volume provides an alternative framework for the study of world literature.
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