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Peter Cowie's book chronicles the life and the 60-year film and stage career of Bergman as he wrestles of themes of love, sex and betrayal with the figure of Death hovering overhead. Blending biographical information with critical comment, Cowie presents a man whose life and work were intimately fused. 'Bergman's films stand alone as beacons in film history.' Wim Wenders
This book offers the first ever critical history of dementia studies. Focusing on the emergence of dementia studies as a discrete area of academic interest in the late 20th and early 21st centuries, it draws on critical theory to interrogate the very notion of dementia studies as an entity, shedding light on the affinities and contradictions that characterise the field. Drawing together a collection of internationally renowned experts in a variety of fields, including people with dementia, this volume includes perspectives from education, the arts, human rights and much more. This critical history sets out the shared intellectual space of ‘dementia studies’, from which non-medical dementia research can progress. The book is intended for researchers, academics and students of dementia studies, social gerontology, disability, chronic illness, health and social care. It will also appeal to activists and practitioners engaged in social work and caregiving involved in dementia research.
"He always is very, very close to the camera, and he is terribly inspiring. I don't know what his magic is, but it is something that makes you want to give everything you have. He has respect for actors and for everybody. A bad director very often doesn't have that respect." Liv Ullman's words about Ingmar Bergman hint at the consummate director he was, one who knew the business, the strengths and weaknesses of actors and crews, the arrangement of the set, the framing of the camera, and all other particulars of the fine art of directing. This work presents Bergman's life and work, beginning with his youth in Uppsala, Sweden, and covering his formative years, his development as an artist, and his career as a world-renowned director. A brief synopsis for each of Bergman's films is provided, with such information as producer, screenwriter, cinematographer, editor, art director, music sound credits, running time, casts, Bergman's own comments, and the reactions of critics.
A novel on three generations of Norwegian women. It begins with the daughter of an immigrant to the U.S. She returns to Norway with two daughters, one of whom gives birth to the novel's narrator, Karin. A tale of motherhood, marriage, love and infidelity.
A wide-ranging collection of essays by one of America's most perceptive critics of popular and literary culture From one of America's most insightful and independent-minded critics comes a remarkable new collection of essays, her first in more than fifteen years. Daphne Merkin brings her signature combination of wit, candor, and penetrating intelligence to a wide array of subjects that touch on every aspect of contemporary culture, from the high calling of the literary life to the poignant underside of celebrity to our collective fixation on fame. "Sometimes it seems to me that the private life no longer suffices for many of us," she writes, "that if we are not observed by others doing glamo...
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What makes us remember? Why do we forget? And what, exactly, is a memory? Diving for Seahorses answers these questions and more, offering an illuminating look at one of our most fascinating faculties: our memory. Sisters Hilde and Ylva Østby – one an acclaimed writer the other a neuropsychologist—skilfully interweave history, research and personal stories in this fascinating exploration of the evolving science of memory from its Renaissance beginnings to the present day. They interview top neuroscientists, famous novelists, taxi drivers and quizmasters to help explain how memory works, why it sometimes fails and what we can do to improve it. Filled with cutting-edge research and compelling case studies, the result is a gripping—and unforgettable—adventure through human memory. ‘UNFORGETTABLE – so many fascinating people, stories and brilliant techniques. I’ll never trust a memory again.’ — Robyn Williams, presenter of The Science Show ‘Gorgeously researched and written. Be prepared to emerge with a different sense of your life’s memories.’ — David Eagleman, neuroscientist and New York Times bestselling author of The Brain
'Linn Ullmann has written something of beauty and solace and truth. I don't know how she managed to sail across such dangerous waters' RACHEL CUSK He is a renowned Swedish filmmaker and has a plan for everything. She is his daughter, by the actress he directed and once loved. Each summer of her childhood, the daughter visits the father at his remote Faro island home on the edge of the Baltic Sea. Now that she's grown up - a writer, with children of her own - and he's in his eighties, they envision writing a book together, about old age, language, memory and loss. She will ask the questions. He will answer them. The tape recorder will record. But it's winter now and old age has caught up with him in ways neither could have foreseen. And when the father is gone, only memories, images and words -- both remembered and recorded - remain. And from these the daughter begins to write her own story, in the pages which become this book. Heart-breaking and spell-binding, Unquiet is a seamless blend of fiction and memoir in pursuit of elemental truths about how we live, love, lose and age.
When Johan was a boy he bargained with Death, and in good time Death obligingly took his father. And when Johan was miserably married, Death kindly took his first wife, leaving him a tidy sum. But now, with the Reaper coming for him, Johan cries out for certainties, for control, for dignity. Linn Ullmann has written a haunting meditation on mortality that nonetheless pulses with the aching beauty of life.Available only in Core 7.
Stella descends, over and over, in the course of this haunting novel. She falls from the womb, since her mother gives birth standing up; she falls for Martin, who delivers her new green sofa and refuses to leave; she falls ill and eventually recovers; but her biggest fall, the descent that suffuses her story, is a plunge to her death off a nine-story building. Memories and observations related by Stella’s adolescent daughter, her curmudgeonly octogenarian friend, three old ladies who witness her final moments, and finally Stella herself combine in cryptic and beguiling ways to unravel the mystery: Playing a lover’s game on that rooftop, did she fall out of her husband’s arms, or was she pushed?