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Cities in Translation looks at translation and language issues in the context of cities where there are two (or more) major languages.
Explore the intricate beauty and historical significance of choir stalls in this groundbreaking collection of essays. Choir stalls were not just functional furnishings but key elements of medieval church interiors, adorned with carvings depicting religious scenes, animals, and symbolic motifs. This volume uniquely examines the role of patrons—both ecclesiastical and secular—who commissioned these masterpieces, highlighting the collaboration between woodcarvers and their sponsors. With a broad geographical and chronological scope, this collection offers fresh insights into the artistry and patronage behind choir stalls, making it essential reading for art historians, medievalists, and anyone fascinated by sacred art and architecture. Contributors are Joanne Allen, Cécile Meneau d'Anterroches, Frédéric Billiet, Louise Bourdua, María Teresa Chicote Pompanin, Juliana Dresvina, Ángel Fuentes Ortiz, Lorenzo Mascheretti, Willy Piron, Barbara Španjol-Pandelo, Maria Dolores Teijeira Pablos, Christel Theunissen, Fernando Villaseñor Sebastián †, and Ingrid van Woudenberg.
Contested Objects explores the social worlds of First World War material culture, and investigates its archaeological and anthropological intersections with identity, memory, landscape and heritage.
This unique collection makes available, for the first time, translations of medieval Italian jurisprudence, including commentaries, tracts, and legal opinions by leading jurists.
Since the end of the nineteenth century, traditional historiography has emphasized the similarities between Italy and Germany as “late nations”, including the parallel roles of “great men” such as Bismarck and Cavour. Rethinking the Age of Emancipation aims at a critical reassessment of the development of these two “late” nations from a new and transnational perspective. Essays by an international and interdisciplinary group of scholars examine the discursive relationships among nationalism, war, and emancipation as well as the ambiguous roles of historical protagonists with competing national, political, and religious loyalties.
Waiting for the End of the World? addresses the archaeological, architectural, historical and geological evidence for natural disasters in the Middle Ages between the 11th and 16th centuries. This volume adopts a fresh interdisciplinary approach to explore the many ways in which environmental hazards affected European populations and, in turn, how medieval communities coped and responded to short- and long-term consequences. Three sections, which focus on geotectonic hazards (Part I), severe storms and hydrological hazards (Part II) and biophysical hazards (Part III), draw together 18 papers of the latest research while additional detail is provided in a catalogue of the 20 most significant ...
Although Dalmatia is not at the core of the contemporary imagination of the Habsburg Empire, which has recently been idealised in scholarship, it shares several similarities with the majority of the ex-Habsburg borderlands, one of which is its complex ethnic makeup in the period of politicisation of a modern nationalist agenda (1890–1941). In this volume, the author deals with the most important Croatian, Italian and Serbian discourses that shaped the space and defined the heritage of Dalmatia. They organised spatial knowledge by bringing about competing mental maps which envisaged Dalmatia in national or regional terms. The book, focusing on prominent writers and societal actors, could also be seen as a contribution to intellectual history or the history of ideas on these Dalmatian borderlands.