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A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
In Writing the Everyday Danielle Fuller analyses writing by Atlantic Canadian women from diverse backgrounds. Drawing extensively on original interviews with writers, editors, and publishers, Fuller investigates how and why communities form around texts that record women's everyday realities, histories, and traditions, showing that prose writing and poetry performances combine oral storytelling, family history, and other aspects of local cultures with popular literary genres to address issues of racism, sexism, and poverty.
Canada and the Idea of North examines the ways in which Canadians have defined themselves as a northern people in their literature, art, music, drama, history, geography, politics, and popular culture. From the Franklin Mystery to the comic book superheroine Nelvana, Glenn Gould's documentaries, the paintings of Lawren Harris, and Molson beer ads, the idea of the north has been central to the Canadian imagination. Sherrill Grace argues that Canadians have always used ideas of Canada-as-North to promote a distinct national identity and national unity. In a penultimate chapter - "The North Writes Back" - Grace presents newly emerging northern voices and shows how they view the long tradition of representing the North by southern activists, artists, and scholars. With the recent creation of Nunavut, increasing concern about northern ecosystems and social challenges, and renewed attention to Canada's role as a circumpolar nation, Canada and the Idea of North shows that nordicity still plays an urgent and central role in Canada at the start of the twenty-first century.
This interdisciplinary volume seeks to examine and explore the various issues surrounding image construction, identity making and representations of the North, as well as the interconnectedness between those issues. The aim is to elucidate the multiple aspects of the idea of the North, both as a mythological space and a discursive system created and shaped by cultures outside the North as well as from within. The objective of the research project Iceland and Images of the North is to elucidate several aspects of images of the North and to explore their functions in the present, focusing especially on Iceland. What effect have Iceland and its people had on images of the North, and how do those images influence the Icelanders and other nations? The project will be a cooperative, interdisciplinary undertaking by researchers in the humanities and social sciences.
Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.
Celebrating the 30th anniversary of the Gesellschaft für Kanada-Studien in den deutschsprachigen Ländern (GKS: Association for Canadian Studies in the German speaking countries) this collection offers an overview of the state-of-the-arts in various disciplines in Canadian Studies, such as linguistics, musicology and media studies, as well as literature and history. It opens multiple perspectives and paths for the future of our discipline. À l'occasion du 30e anniversaire de la Gesellschaft für Kanada-Studien in den deutschsprachigen Ländern (GKS ; Association d'Études canadiennes dans les pays de langue allemande), nous offrons un tour d'horizon de l'état de la recherche dans les différentes disciplines en Études canadiennes, telles que la linguistique, la musicologie, les études sur les médias et les genres ainsi que sur la littérature et l'histoire. Ce volume offre un grand nombre de pistes et de perspectives pour l'avenir de notre discipline.
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When Vincent Massey wrote On Being Canadian in 1948, he acknowledged the importance of the arts to education and the production of good Canadian citizens. What he did not consider was what the arts and artists can tell us about being Canadian. In On the Art of Being Canadian, Sherrill Grace begins with the premise that the arts have shaped and continue to inform Canadian identity. Drawing upon a wealth of artistic expression that spans over a century of painting, fiction, poetry, drama, and film, she traces how the arts and artists have contributed to three key themes in Canadian culture, commemoration, and myth making: the North, war, and iconic national figures such as Louis Riel, Emily Carr, Tom Thomson, and Mina Hubbard. By telling stories in their chosen media and genres about life here or about events and figures from the past, she shows that artists help us to understand the Canadian landscape and to create a shared history. All students of Canada, whether at home or abroad, will find much to savour, enjoy, and reflect on in this beautifully illustrated volume.