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Louis Gallet clippings and letters, 1871 May 10-1893 January 14
Letter to Duvernoy, May 10, 1871; letter to Maréchal, August 13, 1874; two notes to Mon cher directeur, August 17, 1877 and February 4, 1878; letter to S. Mancel, with stamped envelope; letter to Edouard Montagne, February 10, 1878, with stamped envelope; four letter to Massenet, written between 1884 and 1893; four newspaper clippings.
The Politics of Musical Identity
This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond.
The Poor Plutocrats
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The Conservator
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Le Guide Musical
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Le Ménestrel
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