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The Deadly Isles
A young scientist with ties to a family fortune survives a murder attempt while working in Tahiti. He discovers the identity of the assailant, but not the motive. For this, he must follow the would-be murderer aboard an island-hopping passenger/cargo schooner bound for the Marquesas...
LUKE'S WOULD-BE BRIDE
Bachelor Gulch The Bachelor: Luke Carson, overworked veterinarian. Though the mostly male town of Jasper Gulch had advertised for women, Luke just wanted a capable receptionist to keep him in line. The Bride: Jillian "I'm not looking for a husband" Daniels. Exactly what the doctor ordered—and so much more. Luke was happier than a wolf in a henhouse when Jillian agreed to work for him. Especially when he decided she was also the wife of his dreams. Sure, Jillian was the one woman in town who didn't want a husband. But if Luke could charm a raging bull into submission, how hard would it be to woo one marriage-shy lady into becoming his bride? Bachelor Gulch. This little town wanted women—but are these bachelors ready for marriage?
NICK'S LONG-AWAITED HONEYMOON
Bachelor Gulch The (almost) Bachelor: Lawman Nick Colter. He wasn't in Jasper Gulch to find a wife—he already had one…and intended to keep her! The Bride: Pretty mother of one, Brittany Matthews. Equally determined to maintain her newfound independence…and her heart. Maybe they had married too young and never had a proper honeymoon. But Nick was not leaving his soon-to-be ex-wife in nowhere, South Dakota—surrounded by a bunch of overeager, unattached cowboys. So Nick formed a plan to woo back his wife, hoping Brittany would grant him a second chance…and a long-awaited honeymoon. Sandra Steffen BRINGS US THE BEST BACHELORS YET!
The O.C.
The O.C.: A Critical Understanding, by Lori Bindig and Andrea M. Bergstrom, is a feminist cultural studies analysis of the hit television series The O.C. (2003-2007). The show is examined in terms of five ideological aspects as well as audience reception, auteur theory, aesthetics, and reality television imitators. Bindig and Bergstrom place The O.C. in a larger social context and explore the potential ramifications of popular media texts, as well as its lasting influence on media and culture.
The O.C.
The O.C., A Critical Understanding, by Lori Bindig and Andrea M. Bergstrom, is a feminist cultural studies analysis of FOX’s hit teen television drama The O.C. (2003-2007). Episodes of The O.C. are analyzed as a set of media texts that blur the boundaries between hegemonic and counter-hegemonic content. This analysis utilizes ancillary media such as director commentary in conjunction with content in order to understand how ideological content, in regards to gender, race, class, sexuality, and consumerism, is presented throughout the show. The O.C. is also examined in terms of audience analysis, auteur theory, aesthetics, and reality television spin-offs. Bindig and Bergstrom place The O.C. in a larger social context and explore the potential ramifications of popular media texts, as well as the series' cultural legacy which continues to resonate in media and culture.
Wyatt's Most Wanted Wife (Mills & Boon Vintage Cherish)
Bachelor Gulch The Bachelor: Wyatt McCully, dedicated–and extremely eligible–town sheriff. Though husband-hungry women were flocking to Jasper Gulch, there was only one single gal Wyatt wanted.
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Clayton's Made-Over Mrs.
Bachelor Gulch THE BACHELOR: Rugged rancher and single dad Clayton Carson. This time around he was determined to marry a woman who couldn't manipulate his heartstrings. THE BRIDE: Diner owner Melody "Mel" McCully. She was danged tired of being overlooked by the local bachelors. What was she, chopped liver? All her life Melody had loved Clayton, and he'd never once looked her way. Only now, when he had a scallywag of a daughter to raise, did he come callin'. Well, roosters would lay eggs before she'd agree to his marriage of convenience. Because plain–Jane Melody was about to be made over, and would settle for nothing less than a proposal of love! Bachelor Gulch. This little town wanted women but are these bachelors ready for marriage?
