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The anthology presents a diverse array of essays delving into Gandhi's political activities, ethical beliefs, and philosophical stance. Distinguished Gandhian scholars contribute to this collection, setting it apart from similar compilations by focusing not just on Gandhi's impact or the debate over his relevance, but on maintaining his bold ethical ideals and progressive views in an era of skepticism. The essays delve into Gandhi's comprehensive dissection of political logic, his concept of neighbourly political bonds, his fearlessness and adeptness as a yogi. The work also discusses the worldwide landscape of nonviolence, Gandhi's perspectives on Palestine, his legal work in South Africa, ...
The relationship between storytelling, neurodiversity, and memory remains critically overlooked. While scholarship recognizes the presence of neurodiverse thinking in popular folktales, and access to works by autistic people is growing, the opportunity neurodiverse storytelling offers to reshape communication and remembrance is largely neglected. Autistic Dreaming illuminates how the integration of neurodivergent perspectives can expand ideas of polysensory memory and the connection between human and more-than-human memory. Focusing on autistic activists’ blogs, memoirs, artworks and films, this study spotlights a neuroqueer method of remembering that reforges links between the present and the past, and the individual and collective.
Autofiction is often associated with humour, irony, and play. Moreover, authors of autofictional texts are frequently criticised for a lack of seriousness or for failing to straightforwardly and in their own voice engage with a given topic. Yet very few autofictional texts are exclusively, or even primarily, playful. Many employ humour and irony to address very serious subject matter. This volume explores how these seemingly opposed characteristics of autofictional texts in fact work together. The contributions in this volume show that autofictional texts often make use of humour and play in a productive and meaningful way, tackling issues such as human rights violations, historical and coll...
This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces.
This book focuses on performance and performance-based artworks as seen through the lens of conservation, which has long been overlooked in the larger theoretical debates about whether and how performance remains. Unraveling the complexities involved in the conservation of performance, Performance: The Ethics and the Politics of Conservation and Care (vol. 1) brings this new understanding to bear in examining performance as an object of study, experience, acquisition, and care. In so doing, it presents both theoretical frameworks and functional paradigms for thinking about—and enacting—the conservation of performance. Further, while the conservation of performance is undertheorized, perf...