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How might law matter to the humanities? How might the humanities matter to law? In its approach to both of these questions, The Oxford Handbook of Law and Humanities shows how rich a resource the law is for humanistic study, as well as how and why the humanities are vital for understanding law. Tackling questions of method, key themes and concepts, and a variety of genres and areas of the law, this collection of essays by leading scholars from a variety of disciplines illuminates new questions and articulates an exciting new agenda for scholarship in law and humanities.
Through close readings of a range of popular Hollywood speculative fiction films including The Dark Knight, Unbreakable, I, Robot and The Hobbit, Timothy Peters explores how fictional worlds, particularly those that 'make strange' the world of the viewer, can render visible and make explicit the otherwise opaque theologies of modern law. He illustrates that speculative cinema's genres of estrangement provide a way for us to see and engage the theological concepts of modern law in our era of late capitalism, global empire and the crises of neoliberalism.
This book is a study of the forensic theatricality of human rights claims in literary texts about slavery in the sixteenth and the nineteenth century in the Spanish Empire. The book centers on the question: how do literary texts use theatrical, multisensorial strategies to denunciate the violence against enslaved people and make a claim for their rights? The Spanish context is particularly interesting because of its early tradition of human rights thinking in the Salamanca School (especially Bartolomé de Las Casas), developed in relation to slavery and colonialism. Taking its point of departure in forensic aesthetics, the book analyzes five forms of non-narrative theatricality: allegorical, carnivalesque, tragicomic, melodramatic and tragic.
In this original and thought-provoking Research Handbook, an international and interdisciplinary group of scholars, artists, lawyers, judges, and writers offer a range of perspectives on rethinking law by means of literary concepts. Presenting a comprehensive introduction to jurisliterary themes, it destabilises the traditional hierarchy that places law before literature and exposes the literary nature of the legal.
This thoroughly engaging book uses empirical analysis to illustrate that the response of individuals to global terror events, via social media, provokes an opportunity to interpret the ways in which individuals view their place in the world and their relation to law and justice. It is through analysing these responses that Cassandra Sharp demonstrates that a ‘hashtag jurisprudence’ can be constructed.
This book brings the insights of theatre theory to law, legal interpretation and the jurisprudential to reshape law as a practice of response and responsibility. Confronting a Baconian antitheatrical legality embedded in its jurisprudences and interpretative practices, the book turns to theatre theory and practice to ground a theatrical jurisprudence, taking its cues from Han-Thies ¿Lehmann¿s conception of the post-dramatic theatre and the early work of theatre visionary Jerzy Grotowski. It asks law to move beyond an imagined ideal grounded in Aristotelian drama and tragedy, and turns to the formation of the legal interpreter ¿- lawyer, judge, jurisprudent - as fundamental to understandin...
This title provides a valuable guide to the cultural and legal issues arising from reality TV. It will be an essential resource for researchers and students in Law, Media, and Cultural Studies, as well as practitioners in law and the media.