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Margaret Harrison
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Margaret Harrison
None
Margaret Harrison
None
Putting Down Roots
Mapping Métis history and cultural heritage through women’s work Centring kinship and the strength of women, Putting Down Roots reframes Métis road allowance communities as sites of profound resistance and resilience, restoring Métis life in places, times, and scholarship where it has been obscured by settler narratives. These communities were not peripheral spaces where Métis lived as squatters, but places where families culturally thrived by visiting each other, telling stories, sharing food, and providing mutual aid. With stories of Métis li vyeu (Elders) as its foundation, this innovative study reveals the agency embedded in the everyday actions of women’s work, which sustained ...
The English Reports: Chancery
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).
On Reflection: the Art of Margaret Harrison
Radical Since 1971 - What if would happen if you dressed Captain America in a corset and heels? How should we respond to war & exploitation? Why are women paid less and expected to do more? Over her 40+ year career, feminist artist and political activist Margaret Harrison has tried to answer these questions, creating an enormous body of work that includes oil paintings, watercolors, drawings, and large installations. Utilizing her Royal Academy training, cultural icons from Wonder Woman to Lady Gaga, and elements of the British landscape tradition, she insightfully comments on issues of cultural and political importance locally (UK) and internationally. From her first censored solo exhibition in 1971 (one of the first Feminist solo shows in London) to winning the Northern Art Prize in 2013 (Leeds, UK), Harrison has challenged the status quo with thought provoking and often humorous work questioning notions of gender & identity, place, politics, celebrity, domestic violence, and the exploitation of women's labor and sexuality.
The Midwife and the Assassin
"Sam Thomas has created one of the most unique sleuths in modern mystery fiction." -The Plain Dealer In this thrilling new mystery from the critically acclaimed author of The Witch Hunter's Tale midwife Bridget Hodgson travels to London where she's forced into a new profession-as a spy. It's 1649. Three years have passed since midwife Bridget Hodgson and her deputy Martha Hawkins fled York for the safety of the English countryside. But when a mysterious letter from London brings them to the capital, they are forced into service under Jonathan Marlowe, Oliver Cromwell's chief spymaster. Reunited with Bridget's nephew Will, the three seek out Parliament's enemies even as the nation awaits the ...
On Reflection
Radical Since 1971 - What would happen if you dressed Captain America in a corset and heels? How should we respond to war & exploitation? Why are women paid less and expected to do more? Over her 40+ year career, feminist artist and political activist Margaret Harrison has tried to answer these questions, creating an enormous body of work that includes oil paintings, watercolors, drawings, and large installations. Utilizing her Royal Academy training, cultural icons from Wonder Woman to Lady Gaga, and elements of the British landscape tradition, she insightfully comments on issues of cultural and political importance locally (UK) and internationally. From her first censored solo exhibition i...
