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The Historical Film
This aims to show how media critics and historians have written about history as portrayed in cinema and television by historical films and documentaries, focusing on what it means to "read" films historically and the colonial experience as shown in post-colonial film.
From Hitler to Heimat
Examines changing attitudes among Germans as evident in films of the modern German era, leading away from guilt and atonement and seeking national identity.
Fassbinder's Germany
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.
The Marriage of Maria Braun
Commentary and criticism on Fassbinder's film "The marriage of Maria Braun"
Culture Incorporated
Why is the linkage between cultural capital and economic capital growing so fast? What is favorable or not of corporate penetration and influence in the world of art? Is art just another venue of marketing? Survey and nuanced critique of this development. Sponsoring events, museums and lifestyles.
Personal Experience and the Media
The work of the West German artist Rainer Werner Fassbinder is as versatile as it is extensive. During the 16 years of his artistic career, Fassbinder produced more than 40 films and staged 29 plays half of which he had written himself. In doing so he not only drew on aesthetic traditions as diverse as the German folk play, the American gangster film, Hollywood melodrama, the Theatre of Cruelty and the French Nouvelle Vague, but also worked in three media simultaneously: theatre, cinema, and television. It has often been pointed out that this versatility appears to forestall any conceptualisation of Fassbinder's work from the vantage point of its production. The present work aims at exactly such a conceptualisation by exploring the interplay between his work for the different media.
