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Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.
Is Shakespeare English, British, neither or both? Addressing from various angles the relation of the national poet/playwright to constructions of England and Englishness, this collection of essays explores the interplay of nation and imagination, first through new readings of particular plays, then through analyses of a range of subsequent appropriations and reorientations of 'Shakespeare' and 'this England' that the plays - in part - produced.
A wide range of approaches is presented in this collection, among them artists' images of Shakespeare. Victorian Hamlets, changing images of the protagonists in Romeo and Juliet, degrees of metaphor in King Lear, and Shakespeare's plays in performance.
Confronted with the formidable and at times daunting mass of materials on Shakespeare, where does the beginning student - or even a seasoned one - turn for guidance? Answering that question remains the central aim of this guide.
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This volume presents a comprehensive index of poetry explications printed during the period 1925-1977, inclusive. Poems selected are of fewer than five hundred lines, and arranged alphabetically by author and title. Poets chosen must be generally recognized by the reading public. Explications must concern the whole poem, not the poet or circumstances of composition, and must not be from a source devoted to a single author. Explications are sourced from general critical assessments of currently published poetry and literary periodicals.
Includes entries for maps and atlases.