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A Companion to Sensation Fiction
This comprehensive collection offers a complete introduction to one of the most popular literary forms of the Victorian period, its key authors and works, its major themes, and its lasting legacy. Places key authors and novels in their cultural and historical context Includes studies of major topics such as race, gender, melodrama, theatre, poetry, realism in fiction, and connections to other art forms Contributions from top international scholars approach an important literary genre from a range of perspectives Offers both a pre and post-history of the genre to situate it in the larger tradition of Victorian publishing and literature Incorporates coverage of traditional research and cutting-edge contemporary scholarship
Diaphanous Bodies
Diaphanous Bodies: Ability, Disability, and Modernist Irish Literature examines ability, as a category of embodiment and embodied experience, and in the process opens up a new area of inquiry in the growing field of literary disability studies. It argues that the construction of ability arises through a process of exclusion and forgetting, in which the depiction of sensory information and epistemological judgment subtly (or sometimes un-subtly) elide the fact of embodied subjectivity. The result is what Colangelo calls “the myth of the diaphanous abled body,” a fiction that holds that an abled body is one which does not participate in or situate experience. The diaphanous abled body unde...
Witness to Pain
This interdisciplinary collection of essays examines the translation of pain into art, the impossibility of finding one's own voice in situations of pain, and the presumed therapeutic power of the artistic representation of pain.
Nine Nights on the Windy Tree
Bertha Brannon is a lawyer who takes care of her grandmother and is usually broke because the work she often takes is pro bono or sliding scale for the domestic violence shelter or the public defender for juvenile cases. She has eighteen months of sobriety from a cocaine addiction. Late Friday afternoon, she’s looking forward to a long and peaceful weekend, when a woman comes into her office who wants to retain her for a murder she hasn’t yet committed. Bertha needs the rent money. Thus begins a living roller-coaster ride that includes betrayal, arson, and murder. While making trips back to the drug-using haunts, Bertha meets a police woman who wants her, but she’s not sure for what. Is it just sex or is there something more? Prequel to Widow
The Golden Thread
This two-volume edited collection covers three hundred years of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Volume One looks at the period from 1716 to 1992, exploring such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.
Votes & Proceedings
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History of the John and Honora (Ball) Gibbons Family
John Gibbons was born in 1830 in County Mayo, Ireland. His parents were James Gibbons and Sally Bourke. He emigrated in about 1851 and settled in St. Louis, Missouri. He married Honora Ball (1835-1917) in 1853 in St. Louis. They moved to Jerseyville, Illinois in about 1863. They had twelve children. John died in 1899. Descendants and relatives lived mainly in Illinois and Missouri.
