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`So Many Cinemas` Is A Kaleidoscopic And Captivating Overview Of The History Of Cinema In India, Authored By The Eminent Documentary Film Maker, B D Garga, Who Is Reputed As A Pioneering Historian And Commentator Of Indian Films. The Book Has A Comprehensively Researched Text Of Over A Hundred Thousand Words, Enhanced By Touches Of Satire And Humour. It Is Sumptuously Illustrated With Over 400 Rare Photographs, Working Stills, Post Cards, Advertisements, Film Booklets And Other Film Memorabilia, Most Of Which Are From The Author`S Enviable Personal Collection.
No es por la astenia primaveral. Ni porque nos falte hierro. Sencillamente, es imposible llegar a más. ESTAMOS CANSADAS DE ESTAR CANSADAS. Y no, no podemos con todo. Ni queremos poder. La periodista especializada en temas de salud y bienestar Ana Morales, actualmente directora de belleza de Vogue, nos trae la obra definitiva de las mujeres cansadas. Expectativas que nunca se acaban, perfección que no existe, wasaps que se acumulan, correos urgentes, tareas para ayer. Sostener en silencio cargas que pesan demasiado y estar disponible siempre para otros. Y una semana tras otra, y un mes tras otro, los días en los que el cansancio puede con todo superan a los días buenos. Tranquila, no estás sola. Ese agotamiento silencioso que nos quita claridad mental no surge de la nada. Aparece después de días llenos de decisiones, elecciones constantes, imprevistos que resolver y una autoexigencia que no da tregua. Porque queremos hacerlo todo bien. Queremos hacerlo todo mejor. PERO ESTAMOS CANSADAS. Este libro es una invitación a entender ese cansancio, a nombrarlo y, sobre todo, a aprender a soltarlo.
At the turn of the first millennium, scientific and philosophical knowledge was far from dormant. Arithmetic, with its diverse calculation techniques and number theory, served as a bridge to philosophy, theology, and the study of the physical world. Even something as simple as a series of multiplication tables could unlock a profound knowledge of both the divine realm and natural phenomena. Such is the case with Abbo of Fleury’s Commentary on the Calculus. Mathematics and Philosophy at the Turn of the First Millennium sheds light on Abbo’s original philosophical system anchored in two central doctrines, which serve as a compass to navigate it: the theory of unity (henology) and the theor...
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.
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