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Art Markets and Digital Histories
This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research.
The History of the Venice Biennale
Over a hundred years of the story behind the Biennale of Venice, the oldest and most prestigious artistic and cultural institution in the world, from the first edition in 1895 to the 52nd one in 2007.
Carmen Laffón
Catálogo de la exposición celebrada en Madrid en el Museo Reina Sofía en 1992 sobre la pintora Carmen Laffon cuya obra podemos considerarla realista, si no buscamos en ella la naturalidad de los objetos, sino la realidad de de las sensaciones, la ambigua, inquietante y misteriosa realidad que es el silencio. Sus temas recurrentes son los bodegones y los paisajes porque son los temas que le permiten plasmar los sentimientos interiores y exteriores.
Art and AsiaPacific
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