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The Crisis of Capitalism in the Contemporary Novel
This book explores the role of radical ideas in contemporary fiction by nine critically acclaimed authors--Jonathan Lethem, Dana Spiotta, China Mieville, Thomas Pynchon, Rachel Kushner, Teddy Wayne, Colson Whitehead, Jacqueline Woodson, and Kim Stanley Robinson. All of them share interests in the politics of the left, the problems of protracted economic crisis, and the potentiality of post-capitalist ideas. Novels by these authors, this book argues, are defined by an imperative to confront current anxieties in left-thought, while, at the same time, evincing a nuanced degree of self-consciousness about the legacy of political radicalisms, the costs they accrue, and where they have led.
Poetics of Value
Throughout value-form theory, the present is understood as a homogenising form of subsumption, determining all lives in its commodification of time. In Poetics of Value, Elliot C. Mason employs the ‘fugitive’ imaginary of black studies to locate other temporalities that antagonise the present. Through close readings of four contemporary poets, Mason finds an exposure to social temporalities that exceed the productive time of value. Poetics of Value proposes the survival of fugitive temporalities as a methodology for Marxism, exceeding the temporal forms of both value and its Marxist criticism.
The Art of Hunger
When we think of writers today, we often think of them as thin and poor-as starving artists. This book traces the history of this idea, and asks why hunger has been such a compelling metaphor for thinking about writing in modern times.
Contesting Religious Identities
Religion is a hot topic on the public stages of ‘secular’ societies, not in its individualized liberal or orthodox form, but rather as a public statement, challenging the divide between the secular neutral space and the religious. In this new challenging modus, religion raises questions about identity, power, rationality, subjectivity, law and safety, but above all: religion questions, contests and even blurs the borders between the public and the private. These phenomena urge to rethink what are often considered to be clear differences between religions, between the public and the private and between the religious and the secular. In this volume scholars from a range of different disciplines map the different aspects of the dynamics of changing, contesting and contested religious identities.
Grenfell Tower
The Grenfell Tower fire of June 2017 is one of the most tragic political events in British history. This book argues that preparedness for disasters has always been designed in the interests of the State and Capital rather than citizens. This was exemplified by the ‘stay put’ strategy at Grenfell Tower which has historically been used to socially control racialised working class groups in a disaster. ‘Stay put’, where fire safety is compromised along with strategic ambiguity, probabilistically eliminates these groups. Grenfell Tower is a purposive part of ‘Disaster Capitalism’, an asocial racial and class eliminationism, where populations have become unvalorisable and disposable. We have reached a point where even the ruling class are fleeing from the disasters and chaos they have inflicted on the world, retreating to their billionaire bunkers. This timely book will be of interest to sociologists, social theorists and activists in understanding the racialised, classed and capitalist nature of contemporary disasters.
Utopian Pasts and Futures in the Contemporary American Novel
Utopian Pasts and Futures in the Contemporary American Novel highlights the emergence of a literary mode, speculative historism, over the past two decades in U.S. literature. Discussing in depth novels by writers such as Ken Kalfus, Joyce Carol Oates, and Colson Whitehead, among others, it integrates questions of critical method, genre, form, and literary theory, all of which have some urgency today. Addressing itself to the question of how to read this mode through a form of utopian hermeneutics, this study explores the formal constitution, narrative choices, and place in the wider literary market of a mode that it believes to be constitutively important for understanding American literature's struggle with the possibility of imagining hopeful futures.
Narrating Locative Media
This book offers a multidisciplinary approach to locative media, concentrating on specific authors and practitioners whose works exist in print and digital manifestations. The book shapes the discourse for an extensive theorization of locative media works from a narrative perspective. It investigates how different genres ⸺ print novels, fictional and non-fictional locative narratives, locative games, and audio texts ⸺ are affected by locative media practice. Part I examines print manifestations of locative media in William Gibson’s fiction. Part II discusses e-book and audio book locative narrative experimentations, suggesting ways to create and categorize locative texts. Drawing on hypertext theory, Part III views Niantic locative games as an instantiation of locative media storytelling practice that challenges digital narrativity. This study captures a transition from a print-based textuality to a digital locative textuality and culture, and proposes flexible innovative models of interpreting narrative textual forms emerging from the convergence of locative and narrative media.
Anticolonial Form
Anticolonial Form: Literary Journals at the End of Empire addresses the relationship between culture and politics in two journals published in Europe by African writers: Présence Africaine, launched in Paris in 1947, and Mensagem, published between 1948 and 1964 in Lisbon. Grounded in extensive archival work, the book argues for a comparative and transnational approach to postcolonial literary studies, for the significance of the literary journal as a key form in the development of African writing in French, Portuguese, and English, and for a historically and geographically contingent understanding of the relationships between literature, culture, and politics. This book takes up the idea o...
Capitalism in Octavia Butler's "Parable of the Sower". Utopia through Immanent Critique
Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Osnabrück, language: English, abstract: This paper will argue that in "Parable of the Sower" by Octavia Butler creates utopian hope by realistically building a dystopian vision which immanently criticises the present. For reasons of brevity, this will be elucidated mainly using the example of capitalism. While an abundance of other issues taken up by the novel, like climate change, democracy, racism or violence, would certainly serve as productive foci of analysis as well, capitalism will be the centre of attention because it is at the core of the apocalyptic circu...
Right-Wing Culture in Contemporary Capitalism
Commentators across the political spectrum have argued that the future has been absorbed by an ever-expanding present to which we cannot imagine alternatives. The notion that we have lost the ability to imagine change-culturally, socially, and politically-has become one of the defining problems of our time. But what is the difference between the populist narratives of those who promise to solve this problem by returning us to a glorious past and those who promise to lead us into a glorious future? Often, this book argues, not very much at all. Revealing neo-authoritarianism and capitalist hyper-innovation as two sides of the same coin, Mathias Nilges shows that today's reactionaries and futu...
