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Paul Klee and His Illness
In 1933 Paul Klee’s work was branded as ‘Entartete Kunst’ (Degenerate Art) by the National Socialists and he was dismissed from his professorial post at the Düsseldorf Academy of Fine Arts. This led him, together with his wife Lily, to return to his ‘real home’ of Bern. Here his avant-garde art was not understood and Klee found himself in unasked for isolation. In 1935 Klee started to suffer from a mysterious disease. The symptoms included changes to the skin and problems with the internal organs. In 1940 Paul Klee died, but it was only 10 years after his death that the illness was actually given the name ‘scleroderma’ in a publication about Klee. However, the diagnosis remain...
Chinese Contemporary Art in the Global Auction Market
Chinese Contemporary Art in the Global Auction Market examines the rapid rise of the global market for Chinese Contemporary art across the turn of the millennium. Focusing on key auction events, it traces the systematic and strategic role played by auction houses in promoting the work of ‘avant-garde’ Chinese artists, transforming them into multi-million-dollar global art superstars. Anita Archer’s research into this emerging art market reveals a powerful global network of collectors, curators, dealers and auction house specialists whose understanding of the mechanics of value formation in the global art world consolidated a framework for the promotion of Chinese Contemporary art to a Western audience.
Hitler's Last Hostages
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced ch...
Auctioneers Who Made Art History
Procurement analysis, sales planning, customer orientation, brand management—the art market is changing more rapidly than ever before. The price that a work of art commands influences its place in the art-historical canon. Auction houses have become dominant avenues of distribution, as have art fairs, galleries, and art dealers. Even today the ritual dramaturgy of the auction resembles an archaic competition, which can leave participants speechless and captivate bystanders. At the center of the action is the auctioneer, whose performance is increasingly critical to the success of the auction. With portraits of auctioneers, this volume tells the story of the art auction business. Key events that played out in cities such as New York, Paris, Zurich, Berlin, Stuttgart, and Pompeii come alive and show how the auctioneer is emerging from the anonymity of a service provider and stepping into the limelight as the star of the show.
The Pieces from Berlin
In the great disorder of wartime Berlin, Lucia Muller-Rossi was an unofficial star: mistress to an Ambassador, the whole world to her young son, and guardian of all the lovely things her Jewish friends were forced to leave behind as they took the trains tothe death camps. Sixty years later, one of those fine pieces sits for sale in the window of Lucia's antiques shop-- and its true owner happens to pass by. In that moment, a whole lifetime of silence cracks open and Lucia's family face the wrenching duty of examining a past almost too horrifying to remember.
Revisiting the National Socialist Legacy
Since the mid-1990s, political, legal, and historical debates about Nazi theft and confiscation of property, the use of slave labor during World War II, and restitution and compensation have reemerged. Revisiting the National Socialist Legacy presents completely new historical research on these issues conducted worldwide. This volume responds to concern about Holocaust era assets in Europe, the United States, and Latin America. It focuses on both reexamination of the history of National Socialist property theft and employment of forced labor in the wartime economy, and the compensation and restitution solutions advanced in various European and Latin American countries since 1945. While the q...
Tracey Emin
Published to accompany the first UK retrospective of Emin's work, covering her output during the last 20 years.
Pablo Picasso gegen den Tod
Uwe Fleckner nähert sich dem »politischen« Picasso aus unterschiedlichen Richtungen: Von der Beschlagnahme seines frühen Gemäldes Die eingeschlafene Trinkerin durch die Nationalsozialisten bis zur Ikonisierung von Guernica durch die zeitgenössische Kunst und die aktuelle Protestkultur. Fleckner interpretiert das Jahrhundertwerk als Antwort des Künstlers auf franquistische Propagandalügen, analysiert Picassos Theaterstück Wie man Wünsche am Schwan z packt als Reaktion auf die deutsche Besatzung von Paris und beleuchtet die wichtige Retrospektive im Haus der Kunst in München 1955. Mit dieser Ausstellung sollte internationale Kunst in das ehemals nationalsozialistische Ausstellungshaus einziehen: Werke wie Guernica oder das Massaker in Korea provozierten ein neues Betrachterverhalten und trugen so zum Demokratisierungsprozess der deutschen Bevölkerung bei.
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