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Made in Brazil
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.
The Other Lutherans
Introduces western readers to Global South voices writing on Lutheran identity, theological themes, worship and the arts, and missions and society
Party Institutionalization and Women's Representation in Democratic Brazil
Explains how weakly institutionalized and male-dominant parties undermine descriptive representation in Brazil's OLPR legislative elections.
The Internet, Politics, and Inequality in Contemporary Brazil
The Internet, Politics, and Inequality in Contemporary Brazil: Peripheral Media offers a new understanding of the digital media produced from the favelas, urban occupations, and in the countryside of Brazil, focusing on the discourse of this broad periphery in the late 2010s. After a decade of political stabilization and economic growth, the contemporary periphery has the ability to employ digital media to politicize old demands for social justice and better public services, and to denaturalize inequality overall. The Internet, Politics, and Inequality in Contemporary Brazil presents interviews conducted with producers acting in the cities’ outskirts, in favelas, and in the countryside, showing how a myriad of websites and social media pages can launch specific challenges against hegemonic mass media outlets, the state, and society. A vast body of research reveals producers’ strategies to garner publicity for marginalized neighborhoods and individuals, providing an essential background for scholars of Latin American studies, journalism, and communication.
Brazil and the Transnational Human Rights Movement, 1964-1985
Brazil and Transnational Human Rights Movement, 1964–1985 explores how solidarity for Brazil contributed to the global human rights movement of the 1970s. Through protests, petitions, posters, and numerous other cultural, artistic, and media-based campaigns, solidarity for Brazil popularised the language of human rights and prompted the international community to join the fight against the country’s military regime. But solidarity for Brazil also reframed the debate on human rights itself, stretching the concept beyond mainstream interpretations that emphasised the violation of ‘basic’ individual rights, such as the use of torture and political imprisonment, to also incorporate social and economic rights, inequality, indigenous minorities, and the human rights responsibilities of multinational companies and development projects. Crucial to this process were multiple networks of exiles, catholic activists, journalists, and academics between Brazil and Western Europe, who drew from the Latin American experience to challenge mainstream narratives of human rights from below.
1983
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A estupenda comédia
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A invenção da vida
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