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The novelette based on the B-movie parody feature film "Space Zombies: 13 Months of Brain-Spinning Mayhem!" by Kevin Risk and Regan W. H. Macaulay, now available on iTunes and on DVD. This is Book 1 of the "Trilogy of Horrifically Half-Baked Ham". Even the sanest and kindest of men goes mad. But what is it that drives him to insanity? Zombies from space seeking human brains for snacks? Human-to-cat, cat-to-human thought essence switches? Monster toad beasts or starfish mutations? Duelling heads? What you are about to read is a description of the circumstances under which one man, veterinarian Dr. Vic McNaughton, goes horribly, horribly - and almost irretrievably - insane.
By the end of the seventeenth century the most effective means of persuasion and communication was the pamphlet, which created influential moral and political communities of readers, and thus formed a 'public sphere' of popular, political opinion. This book is a unique history of the printed pamphlet in sixteenth- and seventeenth-century Britain and traces its rise as an imaginative and often eloquent literary form. Using a long-term perspective and a broad range of historical, bibliographical and textual evidence, the book sketches a complex definition of a 'pamphlet', showing the coherence of the literary form, the diversity of genres and imaginative devices employed by pamphleteers; and it explores readers' relationship with pamphlets and how both influenced politics. Individual chapters examine topics such as Elizabethan religious controversy, the book trade, the distribution of books and pamphlets, pamphleteering in the English Civil War, women and gender, and print in the Restoration.
Lost Books and Printing in London, 1557-1640 is the first attempt to analyse systematically the entries relating to lost books in the Stationers’ Company Register. Books played a fundamental role in early modern society and are key sources for our comprehension of the political, religious, economic and cultural aspects of the age. Over time, the loss of these books has presented a significant barrier to our understanding of the past. The monopoly of the Stationers’ Company centralised book production in England to London with printing jobs carried out by members documented in a Register. Using modern digital approaches to bibliography, Alexandra Hill uses the Register to reclaim knowledge of the English book trade and print culture that would otherwise be lost.
The Oxford Handbook of the History of the Book in Early Modern England provides a rich, imaginative and also accessible guide to the latest research in one of the most exciting areas of early modern studies. Written by scholars working at the cutting-edge of the subject, from the UK and North America, the volume considers the production, reception, circulation, consumption, destruction, loss, modification, recycling, and conservation of books from different disciplinary perspectives. Each chapter discusses in a lively manner the nature and role of the book in early modern England, as well as offering critical insights on how we talk about the history of the book. On finishing the Handbook, the reader will not only know much more about the early modern book, but will also have a strong sense of how and why the book as an object has been studied, and the scope for the development of the field.
Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into two parts. The first part, on 'The Culture', situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor ('The Order of Persons') surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to tra...
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This collection situates the North-East within a developing nationwide account of British musical culture.
An essential book for scholars and students of renaissance music, as well as the history of music publishing and print.The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities a...
One of the first inquiries into victims' rights, this study provides a complete theoretical background and sets out to explain the new legislative initiatives in the context of analysis by Olson, Lipsky, Derthick, and Quirk. Dr. Poliny's book is not only timely, but of substantial importance to the national public policy debate.