Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Chichester in the 1960s
Chichester is the archetypal Georgian town, with streets of elegant buildings gathered closely around the ancient cathedral. It usually appears to today's first-time visitor that the city has been largely untouched by the hand of time – particularly the destructive hand that guided the 1960s. However, this is not the case: in the 1960s, Chichester faced the same challenges as all historic towns, and much was lost – but the brakes were applied in good time and it became one of the first conservation areas in the country. This book, the first of its kind, looks at how Chichester fared in that turbulent decade, how it gained its status as a city of culture with a new theatre and museum, and how it expanded to meet the demands of its growing populace. Historical research blends with personal anecdote to produce a heartfelt portrait of the decade.
Painting for a Living in Tudor and Early Stuart England
A rare examination of the political, social, and economic contexts in which painters in Tudor and Early Stuart England lived and worked While famous artists such as Holbein, Rubens, or Van Dyck are all known for their creative periods in England or their employment at the English court, they still had to make ends meet, as did the less well-known practitioners of their craft. This book, by one of the leading historians of Tudor and Stuart England, sheds light on the daily concerns, practices, and activities of many of these painters. Drawing on a biographical database comprising nearly 3000 painters and craftsmen - strangers and native English, Londoners and provincial townsmen, men and some...
Maria Spilsbury (1776?820)
Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody an...
The Birth of Feminism
In this illuminating work, surveying 300 years and two nations, Sarah Gwyneth Ross demonstrates how the expanding ranks of learned women in the Renaissance era presented the first significant challenge to the traditional definition of "woman" in the West. An experiment in collective biography and intellectual history, The Birth of Feminism demonstrates that because of their education, these women laid the foundation for the emancipation of womankind.
The Society Portrait
Features portraits dating from the early 19th century to the Second World War. This book offers anecdotes and insights into the personalities of both the artists and their patrons, providing a panorama of the settings in which the portraits were created, from French chateaux and English country houses to American mansions and Russian palaces.
Art and Emancipation in Jamaica
Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is "Sketches of Character "(1837-38)--a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario--the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire.
Maria Spilsbury (1776-1820)
Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody an...
Chichester
None
